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The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.

Lillie Rovno was deployed by the United States military in Germany, Japan, Alaska, and Hawaii, and continued to travel the world in later years. A scholar of Russian culture interested in performance arts, Rovno collected materials on a broad array of art forms: Kabuki and Japanese visual arts, ballet, Jewish music, and Italian music. The collection includes numerous photos, some autographed, of prominent ballet performers from the former Soviet Union, Cuba, and the U.S., with many of the photos documenting visits of Soviet ballet companies to the U.S. in the 1980s and early 1990s. The collection also contains musical scores from Italy, the U.S., and Israel, including Israeli songbooks from the early 1950s.

Louis Henkin (1917-2010) was a prominent figure in international human rights law and taught at Columbia Law School for over sixty years. Henkin published more than twenty books on constitutionalism, foreign policy, human rights, and international law, and served as an expert member of the United Nations' Human Rights Committee. The collection consists of 22 linear feet of Henkin's professional record, primarily from the last twenty-five years of his career, and focuses on his teaching activity, writings, and work for the United Nations.

The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.