Collections : [Avery Drawings & Archives]

Avery Drawings & Archives

Avery Drawings & Archives

300 Avery Hall
1172 Amsterdam Ave.
New York, NY 10027, USA
avery@library.columbia.edu
Avery Library’s Drawings & Archives department collects drawings, photographs, and architectural records documenting architecture and design practices. Our collections focus largely on American and New York City architecture of the nineteenth and twentieth centuries.

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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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Clyde Dorsett papers, 1940-1991, bulk 1952-1982

20 document boxes
Abstract Or Scope
Clyde H. Dorsett (1925-2007) was an architectural consultant dedicated to mental healthcare design becoming the nation's leading authority in the design and construction of such facilities. Working as lead architectural consultant for the National Institute of Mental Health (NIMH) from 1965 to 1982, he oversaw the federal government's ambitious program to transform the nation's monolithic state mental hospital structure into a wider variety of local and state facilities to address a spectrum of medical and social needs through more precisely tailored, yet humane and informal design approaches. Underpinning the work was the growing conviction that the built environment played a significant role in the healing process, and that such 'scientifically' derived design could be applied to social problems. Based at the institute's offices in Washington D.C., he both advised on individual projects through drawings submitted by architects nation-wide, as well as developing guidelines and standards for the accreditation, certification and funding of construction projects by the federal government. It is of these documents that the present collection largely comprises. He continued advising in the field long after his early retirement from the institute in 1982.
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Françoise Bollack Architects architectural drawings and records, 1968-2016

2 print boxes
Abstract Or Scope
Françoise Bollack Architects is a New York City-based architectural firm founded by Françoise Bollack, a professor of architecture in the Graduate School of Architecture, Planning, and Preservation at Columbia University. This collection includes original and reprographic architectural drawings for projects in New York City and the surrounding region undertaken by the firm Françoise Bollack Architects. Principle projects represented include the Lesbian & Gay Community Services Center in Manhatan; renovations and alterations to the New York State Capitol building in Albany, New York. Also included are related project files and digital images.
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Roger Halle papers and architectural drawings, 1943-1992

11 document boxes
Abstract Or Scope
Roger Halle (1919-1993), a research architect who devoted his professional practice to reducing the cost of construction. After receiving a graduate degree in architecture from Princeton University, he worked for several architectural firms; and.later started his own practice in New York City and Caracas, Venezuela. Halle held 12 patents in 17 countries for his work. In 1964, he introduced the Halle Building System, and in 1972 he established Halle Building System Company Inc. He wrote many articles to promote his ideas on how to build more with less cost and was published in several publication including Architecture & Engineering News, Progressive Architecture, and The New York Times. He also gave talks and lectures at Princeton University, New York Institute of Technology and HUD-NIBS Conference.
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Wilson Eyre architectural drawings and papers, 1877-1945

159 drawings
Abstract Or Scope
Wilson Eyre, Jr. (1858-1944) was an American architect, teacher and writer who practiced in Philadelphia. He is known for his country houses and for being an innovator in the Shingle Style.
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Scrapbook (Vol. 6), undated, circa 1908 to 1910 Volume 6

Scrapbook (Vol. 3), undated, 1905 to 1910 Volume 3

Charles H. Warner Jr. architectural records, 1940s-1990s

11 document boxes
Abstract Or Scope
Charles H. Warner Jr. was a New York-based architect active from the 1940s through the 1990s. Warner designed many buildings on college campuses in the United States and abroad. Additionally, Warner built many hotels, working extensively with Hilton Hotels to build new establishments all over the world. His work in foreign countries underscores his core architectural principle of designing "in context," or incorporating local culture and tradition into his buildings. Some of his more well-known hotel projects include the Ramses Hilton in Cairo and the Caribe Hilton in San Juan.
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Edgar Tafel architectural records and papers, 1919-2005

30 linear feet
Abstract Or Scope

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

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Olgivanna Lloyd Wright audio recordings, 1952-1980

636 open reel audiotapes
Abstract Or Scope

This collection contains audio recordings of Fellowship talks delivered by Olgivanna Lloyd Wright to members of the Taliesin Fellowship nearly each week, usually on Sundays organized chronologically from 1952-1984. These talks continued a tradition begun by Frank Lloyd Wright; they similarly cover a range of topics from Frank Lloyd Wright's Organic Architecture (often read from transcriptions of his Fellowship talks) to the daily activities of the Fellows. Many include her reading from poetry and philosophy and her own theories on moral character and the ethics of hard work. The collection also includes other talkes, speeches, and interviews with Olgivanna Lloyd Wright.

Arthur Rothstein photographs, 1848-2000, bulk 1932-1985

812 negatives
Abstract Or Scope
This collection contains the photographs, negatives, contact sheets, correspondence, printed material, and research files of and about American photographer Arthur Rothstein (1915-1985).
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Alan Colquhoun papers, 1942-2010

10 document boxes
Abstract Or Scope

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

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