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Abram J. Jaffe papers, 1950s-2015

31.25 linear feet
Abstract Or Scope

Correspondence, manuscripts, research files, teaching materials, memoranda, etc.

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Alumni Class Records, 1850-1989

24.84 linear feet
Abstract Or Scope

The Alumni Class Records contains materials pertaining to the alumni from the Classes of 1842 to 1963, from Columbia College and the School of Mines, later the School of Engineering and Applied Sciences. Content includes programs, menus, invitations, clippings, correspondence, and printed matter related to activities from college days to the many reunion events in the subsequent years.

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Amram Scheinfeld papers, 1915-1975

24 linear feet
Abstract Or Scope

Manuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.

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André Schiffrin papers, 1944-2014

10.5 linear feet
Abstract Or Scope

The collection consists of a wide range of material from early Pantheon papers (1944-1963) pertaining to the presence of Jacques Schiffrin and Helen and Kurt Wolff, including correspondence, business files, manuscripts and proofs, book covers, and media clippings. Later papers include correspondence and business files from Andre Schiffrin's time at Pantheon, followed by press clippings and correspondence regarding his forced removal, his launch of New Press, books he published, and finally personal papers that include notebooks, travel diaries and journals, along with his articles in various publications and miscellaneous press that he'd collected for personal interest.

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Andrew Cordier Papers at the Columbia University Archives, 1923-1974

11 Linear Feet
Abstract Or Scope
This collection consists of correspondence, both personal and professional, of Andrew Cordier from the late 1920s through 1974, as well as administrative records related to Cordier's tenure at Columbia University.
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Andrew Sarris papers, 1945-1988, bulk 1965-1985

20.42 linear feet
Abstract Or Scope
The Andrew Sarris Papers are comprised of correspondence, drafts and manuscripts, clippings, printed ephemera, periodicals, monographs, photographs, and audio recordings related to the career and personal life of renowned film critic Andrew Sarris. The materials span several decades, from the inception of his career as a film critic and theorist in the mid-1950s to the last years of his long tenure at The Village Voice in the late 1980s..
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Anna Robertson Brown Lindsay papers, 1898-1944

3 boxes
Abstract Or Scope

Correspondence, biographical materials, manuscripts, and published materials.

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Annette Riley Fry Collection on Letchworth Village, 1907-1976

1 linear feet
Abstract Or Scope
A small group of materials documenting the history of Letchworth Village, an institutional care facility for children and adults with intellectual disabilities and neurodevelopmental conditions which operated in Thiells, New York from 1911 until 1996. The materials were collected by the writer Annette Riley Fry in the 1970s, while conducting research for a possible article on Letchworth Village.
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Bela Kiraly papers, circa 1957-1988

12.5 linear feet
Abstract Or Scope

The papers of Béla Király include personal and professional correspondence, manuscripts, and materials related to two organizations he was involved with, the Hungarian Freedom Fighters and the Program on Society in Change. The papers are from Király's time in the United States (circa 1957 to 1989).

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Brenda Miller Cooper "Giants in the Earth" Collection, 1951

1.75 Linear Feet
Abstract Or Scope
Brenda Miller Cooper was an American operatic soprano who was a regular performer at New York City Opera from 1947 to the early 1960s. The materials in this collection were compiled by Brenda Miller Cooper during the premiere of Douglas Moore's Pulitzer Prize-winning opera, Giants in the Earth, in 1951 at Columbia University, in which she created the role of Beret.
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