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A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

Collection includes correspondence of family and personal letters from 1902-1973, including typed excerpts of letters written by Daragan to his wife from the Murmansk-Arkhangelśk region during 1919-20. The remainder of the correspondence deals with Daragan's business and naval and religious topics. Manuscripts consist primarily of Daragan's memoirs of his youth, family and naval experiences in northern Russia. There are family documents, the earliest of which dates from 1762, and family financial records. Other printed materials include two pre-World War I theater programs from St. Petersburg and Moscow. There are also photographs of the Daragan family, dating from the late nineteenth and early twentieth centuries.

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

Lists, subject files, photographs, etchings and printed materials relating to the Pazheskii Korpus (imperial Corps of Pages), a school for the sons of the Russian nobility founded in 1802, and the Soiuz Pazhei (Union of Pages), the emigré alumni organization founded in 1920. The materials were collected by representatives of the Union of Pages. The collection consists chiefly of mimeographed newsletters, books, printed mementoes, such as programs, menus, tickets, and school forms, and of pictorial materials, especially photographs and etchings. The great majority of the materials pertain to the Imperial Corps of Pages and to Russia's imperial family, and include many unusual photographs portraying school life and the life of the family of Nicholas II. There are also old photographs of Moscow, St. Petersburg, and Tsarskoe Selo, printed reports of the State Council for 1894-99, newsletters published by the Union of Pages and miscellaneous Russian and foreign publications, originally part of the library of the museum of the Union of Pages in Paris.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

Correspondence, manuscripts, documents, notes, notecards, journals, diaries, photographs, slides, memorabilia and printed materials documenting Goodrich's career in the field of Chinese language and history, as well as materials on the cultural affairs of twentieth century China. Among the cataloged correspondence are Joseph Alsop, Pearl S. Buck, Norman Cousins, Philip C. Jessup, H.H. Kung, Owen Lattimore, and Nathan Pusey. Part of the collection is arranged in Goodrich's alphabetical subject/name file and the remainder is arranged alphabetically. The correspondence is from colleagues, students, business associates, friends, etc. The subject files are on a variety of topics concerning China, the Far East, printing, medicine, the arts, and technology; material on the Chinese Civil Service Examination; associations, schools, foundations, missions and their work in the Far East.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

The papers include correspondence, manuscripts, documents, printed materials and photographs -- most of which principally concern Fedor Shali︠a︡pin. There are twelve letters and postcards from Shali︠a︡pin, and one or two items each from Aleksandr Grechaninov, Olǵa Knipper-Chekhova, and Sergeĭ Rakhmaninov. There are manuscripts by Strakhova-Ermans, entitled "Vospominanii︠a︡ starogo professora penii︠a︡" and "Penie: Ego tekhnika i iskusstvo." There are photographs of Shali︠a︡pin in his operatic roles and with his family; and photographs of Olǵa Knipper-Chekhova, Aleksandr Glazunov, and of Sergeĭ Rakhmaninov and Aleksandr Grechaninov (with the faculty of the Russian Conservatory in Paris). Printed materials include programs of concerts by Shali︠a︡pin and others, and a copy of Strakhova-Ermans' book, "Le chant"(1946).