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The correspondence is primarily with member clubs throughout Europe, and the manuscripts are chiefly minutes of federation and club meetings. Also included in the collection are several photographs, some financial records, a file on the women's team, clippings, programs and four issues of the federation's illustrated year-book.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, reports, slides, records, film and card files, and scrapbooks. The papers reflect Lindsay's various activities and are arranged in two sequences, an alphabetical name file and an alphabetical subject file. Since many of the subjects are closely related, the division between them is not always very sharp. Among the subjects covered are: social legislation, I.L.O., National Child Labor Committee, prohibition, labor, Republican National Committee, Institute for Social Research, League of Nations, humane legislation, housing, Harmon Foundation, Educational Radio Corporation, and the Bergh Foundation. Boxes 167-169 contain the files of the Committee for Industrial Relations, 1912-1914

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Lists, subject files, photographs, etchings and printed materials relating to the Pazheskii Korpus (imperial Corps of Pages), a school for the sons of the Russian nobility founded in 1802, and the Soiuz Pazhei (Union of Pages), the emigré alumni organization founded in 1920. The materials were collected by representatives of the Union of Pages. The collection consists chiefly of mimeographed newsletters, books, printed mementoes, such as programs, menus, tickets, and school forms, and of pictorial materials, especially photographs and etchings. The great majority of the materials pertain to the Imperial Corps of Pages and to Russia's imperial family, and include many unusual photographs portraying school life and the life of the family of Nicholas II. There are also old photographs of Moscow, St. Petersburg, and Tsarskoe Selo, printed reports of the State Council for 1894-99, newsletters published by the Union of Pages and miscellaneous Russian and foreign publications, originally part of the library of the museum of the Union of Pages in Paris.

Contains programs, playbills, correspondence, reviews, head shots, copies of the publications, and applications filled out by want-to-be actors who then were listed in the Annual volumes.