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   Jerome Moross Papers, 1924-2000

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Identification of specific item; Date (if known); Jerome Moross Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.

COinS Metadata available (e.g., for Zotero).
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Series III: Works by Jerome Moross

Subseries III.1: Adventures of Huckleberry Finn

See also compact disc: "Valley of Gwangi."(Box 47)

Orchestral score: photocopy.,
1960
(156 pages bd.)

Box 6

[Motion Picture]

Orchestral score: manuscript, signed.
1960
(144 pages a.ms.s.)

Box 43
Orchestral score, piano reduction: photocopy.
(156 pages)
Box 43
Microfilm. "Huckleberry Finn."
(1 box/reel)

Box 40

Subseries III.2: American Pattern

Programs, newspaper clippings.,
n.d.; 1934-1938
(3 programs, ?? pages)

Box 6

[ Ballet]

Subseries III.3: American Saga

Doris Humphrey, Charles Weidman Dance Group Programs., Guild Theatre, New York,
1936
(3 programs)
Box 6

Subseries III.4: Americo Vaspuccio

Typescript texts in Latin and English
(57 pages)
Box 6

Subseries III.5: Awaken My Love, Awaken

1) Vocal score for two voices and guitar: ozalid copy. 2) Vocal score: reverse copy on thin sheets. 2) Royalty statements.,
1951 copyright
(2 pages, 4 pages, 3 items )
Box 6

[Song]

Subseries III.6: Baby

Score for string quartet: manuscript in ink on thin sheets.,
1939 copyright
(16 pages )
Box 6

[Song]

Subseries III.7: Ballet

1) Clippings. 2) Programs. The New School for Social Research, NY (3) and The New Chamber Orchestra, NY (5).,
1933
(? pages, 8 items)

Box 6 [COPIES]

Subseries III.8: Ballet Ballads

Financial records: statements, expense sheets, check stubs for several productions.
(1 folder)

Box 6
Kurt E. Wolff Financial papers., California,
1950-1951
(1 folder)

Box 7
Typewritten notes.
(6 pages)
Box 7
To Jerome Moross Opening night telegrams.,
8 May 1948-17 May 1948
(18 telegrams)
Box 7
Production photographs and head shots.
(53 photographs (8 x 10), 4 contact sheets)
Box 7
To Jerome Moross and Hazel Moross Signed photograph from "Ruthanna and Frank."
(1 photograph (8 x 10))
Box 7
Informal cast photographs/snapshots
(6 photographs (5 x 3.5), 6 negatives )
Box 7
Programs and playbills.
(40 items)
Box 7
Publicity: press releases and production notices.,
n.d.; 1948-1950
(1 folder, )

Box 8
Newspaper and periodical clippings.,
n.d.; entry in process.
(1 folder, )

Box 8 [COPIES]
Chappell & Co., Publisher Score: "I've Got Me" (song).,
1948 copyright
(7 pages, )

Box 8
Chappell & Co., Publisher Score: "My Yellow Flower" (song).,
1948 copyright
(5 pages, )
Box 8
Chappell & Co., Publisher Score: "Ridin' on the Breeze" (song).,
1948 copyright
(5 pages, )
Box 8
Stage designs: "Susannah and Elders"; "Willy the Weeper," "Willy Alternative"; "Dave Crockett," "Dave Crockett Alternative."
(5 blueprints, )
Box 8
Vocal score "Susannah and the Elders": 1) Manuscript on thin sheets; nonsequential order. 2) Ozalid copy; binding removed.,
29 Jan 1940; 1944
(83 pages , 52 pages)

Box 9
Vocal score "Susannah and the Elders": ozalid copy; binding removed.,
1944 copyright
(52 pages)

Flatbox 236
Orchestral score "Susannah and the Elders": manuscript on thin sheets.
(85 pages)

Box 9
Score for two pianos "Susannah and the Elders": ozalid copy; 2 copies.
(27 pages, 27 pages; bd.)

Flatbox 236
Harry Aspruer Watercolor stage design "Susannah and the Elders." Inscribed by artist to Moross.,
1
(painting with mat (15 x 20 in.) )
Flatbox 236
Master score (70 parts) "Susannah and the Elders"; manuscript in ink.
(1 folder a.ms.s.)

Box 9

[Gift 1995]

Scores for two pianos "Susannah and the Elders," "Willie the Weeper," and "The Eccentricities of Davey Crockett": ozalid copy.
(145 pages, bd., )
Box 9
Vocal score "Susannah and the Elders" "Willie the Weeper," "The Eccentricities of Davey Crockett": 1) Published version. 2) Negative photostat of pages 68-69.,
1949
(210 pages, bd., 2 pages)
Box 9
Orchestral score "Willie the Weeper": manuscript on thin sheets.
(25 pages a.ms.s., )
Box 9
Orchestral score "Willie the Weeper": manuscript on thin sheets.
(220 pages a.ms.s.)

Flatbox 236
Orchestral score "Willie the Weeper": reduced transparencies on ozalid.
(220 pages)
Flatbox 236
Score (22 Parts)"Willie the Weeper": manuscript on transparencies.
(340 pages a.ms.s., )

Box 9
Score for two pianos "Willie the Weeper": manuscript in pencil.
(52 pages a.ms.s., )
Box 9
Score for two pianos "Willie the Weeper": ozalid copies (2 copies).
(52 pages, 52 pages bd.)

Flatbox 237
Vocal score "Willie the Weeper": manuscript on thin sheets.,
1945 copyright
(68 pages a.ms.s., )

Box 9
Vocal score "Willie the Weeper": ozalid copy.
(68 pages)

Flatbox 237
Score for two pianos "The Eccentricities of Davy Crockett": manuscript.
(66 pages)

Box 10
Vocal score "The Eccentricities of Davy Crockett": ozalid copy; broken binding.
(66 pages)

Flatbox 237
Vocal score "The Eccentricities of Davy Crockett": manuscript on thin sheets.,
1946 copyright
(83 pages)

Box 10
Score for two pianos "Riding Hood Revisited": manuscript.
(63 pages)
Box 10
Score for two pianos "Riding Hood Revisited": ozalid copy; 3 copies of 63 p.
(3 vol.)

Box 10
"Riding Hood Revisited": manuscript on thin sheets.
(79 pages)

Box 10
Vocal score "Riding Hood Revisited": ozalid copy; broken binding.
(79 pages bd.)

Flatbox 237
Vocal score "Riding Hood Revisited": ozalid copy.
(79 pages)

Box 10
Microfilm: "Willie the Weeper." 1 reel; loose.
(1 box)

Box 40
Tape recording: "1. Susanna. 2. Willie. 3. Davy Crockett.", Los Angeles,
1950
(1 cassette)

Box 41
Tape recording. "Legend Inside.",
20 October 1950
(1 box/reel)
Box 41
Tape recording. "Susanna," "Davy Crockett, Part I," "Davy Crockett, Part II," "Three Dances from the Last Judgement."
(1 box/reel)
Box 41
Tape recording. "The Last Judgement (piano reduction)," "Willie the Weeper."
(1 box/reel)
Box 41
Records: 1) "Davy Crockett, Part I" and "Davy Crockett, Part II." 2) "Susanna" and "Willie the Weeper." 3) "Oh Baby, Gee Baby," "I've Got Me," "Yellow Flower," and "Riding on the Breeze."
(3 discs)

Box 42
Score (19 Parts): "The Eccentricities of Davy Crockett."
(509 pages)

Box 48

[Gift 1995]

Subseries III.9: Banjo

Written by Louis Moreau Gottschalk; arranged by Moross

Score for two pianos: manuscript with corresponding newspaper clippings.,
n.d.; 1935
(16 pages, 2 pages)

Box 10

Subseries III.10: Bears

Score for two pianos; manuscript sketches in pencil.
(19 pages a.ms.s.)
Box 10

[Motion Picture]

Subseries III.11: Big Country

Manuscript: reduced ozalid negatives.,
1958
(25 pages)
Box 10

[Motion Picture]

Score (film sketches): 1) Manuscript. 2) Ozalid copy.,
1958
(174 pages, 174 pages)
Box 10
Vocal score "Another Day, Another Sunset": published version.,
1958 copyright
(5 pages)
Box 10

[Lyrics by Morty Neff and Jack Lewis.]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 1) Reel 1, Part 1: "Main Title"; 22 p. 2) Reel 1, Part 2: "Julie's House"; 18 p. 3) Reel 2, Part 1: "The Welcoming"; 31 p. 4) Reel 2, Part 2: "The Hazing"; 13 p. 5) Reel 2, Part 3: "Courtin' Time"; 15 p. ,
1958
(6 folios)

Flatbox 238

[Full score: 665 pages in 46 folios]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 6) Reel 3, Part 1: "The Terrill Ranch"; 9 p. 7) Reel 3, Part 2: "Old Thunder"; 16 p. 8) Reel 4, Part 1: "Breakfast Scene"; 13 p. 9) Reel 4, Part 2: "The Raid"; 31 p. 10) Reel 4, Part 2 (revised); 16 p. 11) Reel 4, Part 2A: "The Raid" (continued); 14 p. 12) Reel 5, Part 1: "McKay's Decision"; 10 p. 13) Reel 5, Part 2: "The Capture"; 15 p. ,
1958
(7 folios)
Flatbox 238

[Full score: 665 pages in 46 folios]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's Triumph"; 11 p. 15) Reel 6, Part 2: "Major Terrill's Party"; 14 p. 16) Reel 6, Part 2A: "Major Terrill's Party" (continued); 9 p. 17) Reel 7, Part 1: "Waltz"; 28 p. 18) Reel 7, Parts 2 and 3: "Polka"; 7 p. and Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9, Part 1: "Waiting"; 2 p. 24) Reel 9, Part 2: "Horror Stories"; 10 p. 25) Reel 9, Part 3: "The Big Muddy"; 14 p. 26) Reel 10, Part 1: "Still Waiting"; 12 p. 27) Reel 10, Part 2: "McKay Alone"; 10 p. 28) Reel 10, Part 3: "Night at Ladder Ranch"; 5 p. ,
1958
(15 folios)

Flatbox 239

[Full score: 665 pages in 46 folios]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 29) Reel 11, Part 1: "The Fight"; 17 p. 30) Reel 12, Part 1: "The Cattle at the River"; 22 p. 31) Reel 13, Part 1: "Pat's Mistake"; 10 p. 32) Reel 13, Part 2: "Buck Comes for Julia"; 9 p. 33) Reel 14, Part 1: "The Abduction"; 8 p. 34) Reel 15, Part 1: "The Captive"; 8 p. 35) Reel 15, Part 2 (revised): "The Attempted Rape"; 9 p. 36) Reel 15, Part 2 (new): "The Attempted Rape"; 17 p. ,
1958
(8 folios)
Flatbox 239

[Full score: 665 pages in 46 folios]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27 p. 40) Reel 18, Part 1: "Jim and Julie"; 2 p. 41) Reel 18, Part 2: "The Major Alone"; 14 p. 42) Reel 19, Part 1: "The Duel"; 4 p. 43) Reel 19, Part 2: "The Death of Buck Hennessy"; 11 p. 44) Reel 19, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p. 46) Reel 20, Part 3: End Title; 12 p. ,
1958
(10 folios)

Flatbox 240

[Full score: 665 pages in 46 folios]

Orchestral score: manuscript on thin sheets in pencil; signed,
1958
(144 pages a.ms.s.)

Flatbox 241
Orchestral score: ozalid copy.,
1958
(144 pages bd.)
Flatbox 241
Programs: Royal Philharmonic Orchestra with Elmer Bernstein; Long Beach Symphony (CA) with letter from conductor John Green; Mantovani and his Concert Orchestra (Lincoln Center, NY)., v.p.,
n.d.; 1966-67; 1982
(4 programs)

Box 10
Plaque: Academy Award Nomination for Best Music Score., Los Angeles,
1958
(1 folder, 1 framed plaque)

Flatbox 241

[Gift 1998]

Microfilm. Copy of 665 p. Orchestral score shelved in Flatbox 238-240.,
1958
(1 box/reel (2 copies))

Box 40X

[Gift 1987 and 1990. ]

Record: "William Wyler's: The Big Country." ,
1958
(1 disc)

Box 42

[See also compact disc (Box 43).]

Soundtrack. Commemorative volume with compact disc. 2 copies.,
1990
(2 boxes)

Box 43

[Gift 1987 and 1990]

Tape recording.
1958
(3 boxes/reels)

Box 44
Tape recording. 1987 copy of original.,
1958
(3 boxes/reels)
Box 44
Magnetic film transfer log.
1958
(2 pages)
Box 44

Subseries III.12: Biguine

New Music Orchestra Series Orchestral score: 1) Published score. 2) Program (with notes): Symphony Under the Stars at Hollywood Bowl, 22-27 August 1944; 2 copies., San Fransisco,
1935 copyright; 1944.
(32 pages, bd., 2 vol., bd.)

Box 11
Orchestral score (6 Parts): manuscript in ink on thin sheets (incomplete).
(12 pages a.ms.)
Box 11
Master score (32 Parts): published version.
(95 pages)
Box 11

[Gift 1996]

Subseries III.13: Blood Wedding

Frederico Garcia Lorca; incidental music by Moross. Vocal score: 1) Manuscript in pencil. 2) Ozalid copy. 3) Ozalid copy (incomplete). 4) Negative ozalid copy. 5) Program: New Stages Theatre, 159 Bleecker St., New York; 4 copies.,
1949 (program); ca. 1950
(15 pages a.ms.s., 15 pages bd., 10 pages, 15 pages, 4 vol.)
Box 11

Subseries III.14: Captive City

Score (film sketches): manuscript in pencil.
(64 pages a.ms.)
Box 11

[Motion Picture]

Video tape recording: "Captive City."
(1 cassette)

Box 41

[Gift 1987 and 1990]

Subseries III.15: Cardinal

Orchestral score: manuscript in pencil. 1) "Foxtrot"; 10 p. 2) "Foxtrot"; 10 p. 3) "Waltz"; 19 p. 4) "Waltz"; 19 p.,
1963
(58 pages a.ms.)

Flatbox 241

[Motion Picture]

"An Episode in Vienna": manuscript in pencil.,
1963
(65 pages a.ms.)

Box 11
Gamma Productions, Inc. Piano score: 1) "Main Theme," published version. 2) "Waltz," published version.,
1963
(3 pages bd, 5 pages bd.)
Box 11
Publicity items: 1) Article by Bill Batchelor, London. 2) Review. "The American Record Guide." February 1964; page 545. 3) Film production list and program.,
1963-1964
(4 pages t.ms., 1 page, 1 booklet)
Box 11
Orchestral score: manuscript in pencil on thin sheets with changes.,
1963
(123 pages)
Box 11
, Orchestral score: ozalid copy.,
1963
(127 pages bd.)
Box 11
Score: ozalid copies (incomplete).,
1963
(37 pages bd., 118 pages bd.)
Box 11
Records: 1) "Otto Preminger presents: The Cardinal." 2) "The Cardinal: Dixieland Tango." 3) "The Cardinal: Theatre Tango." 4) "The Cardinal: U.S.A.",
1963
(4 discs)

Box 42

Subseries III.16: Close Up

Score: ozalid copy.,
1947(?)
(39 pages)

Box 12

[Motion Picture]

Subseries III.17: Cocaine Lil'

American Composers Alliance, Inc. Vocal score: blue print.
(8 pages)
Box 12

[Song]

Subseries III.18: Concerto for Flute with String Quartet

Orchestral score: manuscript on thin sheets.,
1978
(61 pages a.ms.)
Box 12
Scores for Parts: 1) Ozalid copy (5 parts). 2) Manuscript on thin sheets (6 parts).,
1978
(90 pages, 107 pages a.ms.)
Box 12
Sorom Editions Score: solo flute and piano reduction. 1) Printed; 13 p. bd. and 45 p. bd. 2) Manuscript in pencil.,
1998 copyright
(58 pages bd., 63 pages a.ms.)
Box 12

[Gift 1998]

Publicity items: 1) Contract (Moross and Monday Productions). 2) Collected reviews and notices (as of 24 June 1980). 3) Publicity prints (Moross as a child); 3 copies. 4) "Critic's Choice" listings in "High Fidelity," Vol. 30, No. 3: March 1980; page 82.,
1975-1981
(1 page, 12 pages, 3 pages (12.5 x 12.5 in.), 1 page)
Box 12

Subseries III.19: Cow in Trailer

Lyrics by Lynn Riggs and Ramon Naya; music by Jerome Moross 1) Playscript: carbon copy. 2) Vocal score: manuscript on thin sheets. Pages 1-58, 58-64, 71-106; 1 unidentified. 3) Vocal score "Scene 1": ozalid copy. 4) Vocal score: ozalid copy, unidentified pages.
(90 pages t.ms., 102 pages, 12 pages, 104 pages, bd.)
Box 12

[Musical Play]

Subseries III.20: Creole Dance

To John W. Green CBS Correspondence regarding radio performance of Moross' composition., New York City,
1934
(1 page t.l.s., 1 page a.l.s.)
Box 12

[Song]

Subseries III.21: Culture Vultures or Rise and Fall of Picklepop (Musical farce)

Scenerio: "First Outline.",
196?
(21 page t.ms.)
Box 12

Subseries III.22: Dance to the People

Esther Junger and the Dance Theatre Series of the Y.M.H.A. Program: performance includes Moross work.,
1940
(4 pages)
Box 12

Subseries III.23: Devil is an Ass

Original title "The Great Lucifer"

John LaTouche and Jerome Moross Synopsis: carbon copy.,
6
(pages t.ms. )
Box 12

[Musical Play]

Subseries III.24: Etude d'Execution Transcendente sur une Chanson Populaire Americaine Le Voyageur d'Arkansaw

Score: manuscript on thin sheets.
(2 pages, 1 torn page)
Box 12

Subseries III.25: Five Finger Exercise

See also compact disc: "Valley of Gwangi."(Box 47)

Score: manuscript sketches in pencil.
(87 pages a.ms.)

Box 13

[Motion Picture]

Orchestral score: ozalid copy.
(89 pages)
Box 13

[See also compact disc: "Valley of Gwangi." (Box 47)]

Subseries III.26: Flossy

1) Lyrics with notes in pencil. 2) Publicity: newspaper clipping from Daily News.,
n.d.; 4 May 1963
(24 pages t.ms., 1 page)
Box 13

[Musical Play]

Score, Parts I-IX: manuscript in pencil.
(137 pages a.ms.)
Box 13
Synopsis, carbon copies. 1) "Act 1"; 6 p. 2) "The First Lady"; 7 p. 3) "The First Lady" with corrections; 7 p. 4) "Flossie: An Outline for a Musical"; 9 p. 5) "Flossie: An Outline of a Work for the Musical Theatre"; 2 copies of 11 p.
(51 pages t.ms.)
Box 13
Vocal scores. 1) Manuscript on thin sheets, Acts I-IX. 2) Ozalid copy, Acts I-IX. 3) Ozalid copy.
(105 pages, 67 pages, 32 pages bd.)
Box 13

Subseries III.27: For Joshua and Aaron

Clarinet part: 1) Manuscript in ink on thin sheet; 1 p. 2) Ozalid copies; 4 p. Score for clarinet and piano: 3) Manuscript in pencil; 2 p. 4) Manuscript in ink on thin sheets; 3 p. 5) Ozalid copy; 3 p.
(13 pages)
Box 13

[Duet for clarinet and piano]

Subseries III.28: Forget Me Not

Orchestral and vocal score Movements I-V: manuscript in pencil on thin sheets.
(43 pages a.ms.s.)
Box 13

[Motion Picture]

Scores for Movements I-V: 1) Manuscript for 4 parts (strings) in pen. 2) Ozalid copies of orchestral and vocal score; 4 copies of 43 p.
(57 pages a.ms., 172 pages bd.)
Box 13
Scenerio: carbon copy.
(7 pages t.ms.)
Box 13
Vocal score "Some Day" (song): 1) Manuscript on thin sheets in pencil. 2) Ozalid copy.
(3 pages a.ms.s., 3 pages)
Box 13
Video tape recording: "When I Grow Up."
(1 cassette)

Box 41

[Gift 1987 and 1990]

Record: "J. Moross: Music from Forget Me Not."
(1 disc)

Box 42

Subseries III.29: Frankie and Johnny

Orchestral score: 1) Ozalid copies; 194 pages each. 2) Notes by Moross.,
1938
(2 vol., 2 pages )

Box 14

[Ballet]

Orchestral score: reduced negative transparencies; not in sequence.,
1938
(194 pages)
Box 14
Orchestral score: enlarged photocopy with composer's corrections.,
1938
(194 pages)

Flatbox 242

[Gift 1992]

Orchestral score: manuscript on thin sheets.,
1938
(194 pages a.ms.s.)
Flatbox 242
Orchestral score: ozalid copy.,
1938
(194 pages bd.)
Flatbox 242
Publicity items. 1) Newspaper clippings collected with a personal memo from "Tom." 2) Season flyer from Chicago Ballet (1978). 3) Book: "Les Ballet Americains" by authors including Ruth Page (autographed), Jose Limon, and Bentley Stone with photographs by Serge Lido.,
1945-1978
(9 pages a.s., 4 pages bd., 1 vol. s.)

Box 14
Newspaper clippings: photocopies.,
n.d., 1933-1982
(66 pages)
Box 14
Periodical clippings: 1) "Saturday Review," page 52. 2) "Time," page 88. 3) "Musical America," page 19. 4) Clipping with signature of Mike Snell.,
1945-1965
(1 folder)

Box 14 [COPIES]
Programs: Dance Theatre of Harlem; Cincinnati Ballet Company; Pittsburgh Ballet Theatre; Ballet Russe de Monte Carlo; Les Ballet des Champs-Elysees.,
1945-1982
(23 programs)

Box 14
Score (22 parts): manuscript on transparencies.,
1938
(256 pages)

Box 15
Orchestral score: early version with corrections and additions by Moross.,
1938
(168 pages bd.)
Box 15
Orchestral score: miniature photocopy of early version.,
1938
(168 pages)
Box 15
Score for two pianos: 1) Manuscript on thin sheets. 2) Ozalid copy.,
1938
(56 pages a.ms. s., 55 pages bd.)
Box 15
Vocal score "Women's Trio"(for 2 sopranos and 1 alto): manuscript in pencil.,
1938
(12 pages a.ms.)
Box 15
Vocal score "Women's trio": 1) Reduced ozalid; 5 copies of 12 p. bd. 2) Negative ozalid. 3) Reduced negative photostat.,
1938
(5 vol., 12 pages, 12 pages)
Box 15
Record: "Jerome Moross: The Scandalous Life of Frankie and Johnny." Vienna Symphony Orchestra. Walter Hendl, Dean Dixon, conductors.
(1 disc)

Box 42
Parts (22): new master parts with all corrections. Receipts for writing services (3).,
1938
(256 pages, 3 folders)

Box 45

[Gift 1991]

Subseries III.30: General Armchair

1) Playscript. 2) Score: manuscript; signed; 3) Score in copyist's hand.,
1943
(20 pages t.ms., 8 pages ms.s., 5 pages)

Box 16

[Radio Play]

Subseries III.31: Gentlemen, Be Seated!

New York City Opera Company Cast list; 7 copies.,
10 October 1963
(7 pages)
Box 16

[A Musical Entertainment in Two Acts]

Opening night telegrams to Jerome and Hazel Moross.,
9-11 October 1963
(36 telegrams)
Box 16
Playscript: early draft with corrections and changes.,
1963
(71 page t.ms.)
Box 16
Playscript: drafts with many changes and additions and letters from collaborator Edward Eager.,
1963
(184 pages t.ms.)
Box 16
Playscript: later copy with changes.,
1963
(100 pages t.ms.)
Box 16
Playscript: final copy.,
1963
(90 pages t.ms.)
Box 16
Publicity: 1) Playbill. 2) Press release from The Playwrights' Company.,
1963
(1 program, 2 pages)
Box 16
Publicity: newspaper clippings.,
n.d.,15 April 1955-11 October 1963
(12 pages)
Box 16
Publicity: periodical clippings. 1) "Saturday Review." 26 Oct 1963. 2) "Show." Jan 1964.,
1963
(3 pages, 3 pages)
Box 16
Orchestral scores: reduced ozalid copies. 1) "Grand March." 2) "In the Sunny Old South." 3) "The Freedom Train." 4) "Waltzing in the Shadow." 5) "Fare You Well." 6) "The Dome." 7) "Picnic at Manassas." 8) "Mockingbird." 9) [untitled] 10) "The Ballad of Belle Boyd." 11) "'Mancipation." 12) "It Isn't a Gentleman's War." 13) "The Contraband Ball." 14) "Gentlemen, Be Seated." 15) "All Quiet on the Potomac." [no designated 16] 17) "Mr. Brady Takes a Photograph." 18) "I Can't Remember." 19) "From Atlanta to the Sea." ,
1963
(988 pages, 18 folders)

Box 17
Orchestral scores: manuscripts. Discarded sheets; 8 p. 1) "Grand March"; 51 p. 2) "In the Sunny Old South"; 31 p. 3) "Freedom Train"; 38 p. 4) "Waltzing in the Shadows"; 140 p. 5) "Fare You Well"; 28 p. 6) "The Dome"; 43 p. [no designated 7] ,
1963
(7 folders)

Flatbox 243

[Complete manuscript: 988 pages a.ms.]

Orchestral scores: manuscripts. 8) "Mockingbird"; 14 p. [no designated 9] 10) "The Ballad of Belle Boyd"; 88 p. 11) "'Mancipation"; 24 p. 12) "It Isn't a Gentleman's War"; 55 p. 13) "Contraband Ball"; 115 p. 14) "Gentlemen, Be Seated!"; 26 p.
1963
(6 folders)

Flatbox 244

[Complete manuscript: 988 pages a.ms.]

Orchestral scores: manuscripts. 15) "All Quiet on the Potomac"; 40 p. [no designated 16] 17) "Mr. Brady Takes a Photograph"; 88 p. 18) "I Can't Remember"; 26 p.,
1963
(3 folders)

Flatbox 245

[Complete manuscript: 988 pages a.ms.]

Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p.,
1963
(4 folders)

Flatbox 246

[Complete manuscript: 988 pages a.ms.]

Stage design. 1) Watercolor painting, signed by William Pitkin. 2) Watercolor and ink painting for stage curtain; signed and inscribed to Moross by William Pitkin.,
1963
(2 paintings s.)

Box Map Case 14-14-7
Piano/vocal scores, Act 1: 1) Songs 1-13. Ozalid copy with changes and additions. 2) Extra #13 "The Contraband Ball," ozalid copy with changes. 3) "Dialogue IX- page 1" with memo.,
1963
(1 vol. bd., 39 pages bd., 2 1 page t.ms.; 1 page a.ms.)

Flatbox 247

[Stamped "New York City Opera."]

Piano/vocal score, Act II: 1) Ozalid copy with changes in pencil. 2) #17 "Mr. Brady Takes a Photograph.",
1963
(138 pages bd., 24 pages bd.)
Flatbox 247

[Stamped "New York City Opera Company."]

Ozalid copies in 4 folios, duplicates with additions in pencil. 1) Act I: "Grand March"; 17 p. 2) "The Freedom Train"; 17 p. 3) "The Contraband Ball"; 39 p. 4) "What Has Become of Beauty"; 12 p.,
1963
(85 pages bd.)
Flatbox 247
Vocal score: Act I and Act II. Ozalid copy in 23 folios.,
1963
(355 pages bd.)

Flatbox 248
Parts for musical numbers 1-12. Manuscripts on transparancies (with changes) and copies in blueprint. 1) "Grand March," manuscript. 2) "Grand March," copies. 3) "In the Sunny Old South," manuscript. 4) "In the Sunny Old South," copies. 5) "The Freedom Train," manuscript. 6) "The Freedom Train," copies. 7) "Waltzing in the Shadows," manuscript. 8) "Waltzing in the Shadows," copies. 9) "Fare You Well," manuscript. 10) "Fare You Well," copies. 11) "The Dome," manuscript. 12) "The Mocking Bird," copies [no manuscript]. 13) "Ballad of Belle Boyd," manuscript. 14) "Ballad of Belle Boyd," copies. 15) "'Mancipation," manuscript [no copy]. 16) "This Isn't a Gentleman's War," manuscript. 17) "[It's Not] a Gentleman's War," copies.,
1963
(17 folders)

Box 18
Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady Takes a Photograph," manuscript. 7) "Mr. Brady Takes a Photograph," copies. 8) "I Can't Remember," manuscript. 9) "I Can't Remember," copy. 10) "From Atlanta to the Sea," manuscript. 11) "From Atlanta to the Sea," copies. 12) "What Has Become of Beauty?" manuscript. 13) "What Has Become of Beauty?" copies.14) "Have You Seen Him?" manuscript. 15) "Have You Seen Him?" copies. 16) "Grand Finale," manuscript. 17) "Grand Finale," copies.,
1963
(17 folders)

Box 19
Curtain design: 8 photocopies of 1 page.,
1963
(8 pages)

Box 20

[See also Map Case 14-14-7.]

Stage design: "The Dome." Watercolor and wash drawing signed by artist William Pitkin.,
1963
(1 painting s.)
Box 20
Vocal score Act I: manuscript on thin sheets.,
1963
(212 pages a.ms.)
Box 20
Vocal score, Act II: manuscript on thin sheets.,
1963
(140 pages a.ms.)
Box 20
Vocal score: manuscript on thin sheets (revised pages).,
1963
(11 pages a.ms.)
Box 20
Vocal score: ozalid copies in 15 folios.,
1963
(212 pages)
Box 20
Records. "Gentlemen Be Seated!": 1) "Act I, Part 1" and "Act I, Part 2"; 2 copies. 2) "Act 1, Part 3" and "Act I, Part 4"; 2 copies. 3) "Act II, Part 1"and "Act II, Part 2"; 2 copies.,
1963
(6 discs)

Box 42
Score (Parts) "Picnic at Manassas, No. 7": 1) Xerox copy. 2) List of corrections.,
1963
(62 pages, 3 pages)

Box 47

[Gift 1995-1999]

Subseries III.32: Golden Apple

Director's score: ozalid copy with notes and changes.,
1954
(325 pages bd.)

Box 21

[Musical Play]

Director's score: ozalid copy with notes and changes.,
1954
(157 pages bd., 191 pages bd.)
Box 21
Director's score: ozalid copy with notes and changes.,
1954
(157 pages bd., 191 pages bd.)
Box 21
Orchestral score, Act I: manuscript on thin sheets; p. 3-105.,
1954
(102 pages a.ms.)

Box 22
Orchestral score, Act II: manuscript on thin sheets.,
1954
(65 pages a.ms.)
Box 22
Orchestral score: manuscript in ink on thin sheets.,
1954
(395 pages a.ms.)
Box 22
Orchestral score: manuscript in pencil on thin sheets.,
1954
(197 pages a.ms.)
Box 22
Orchestral score: ozalid copies with changes and additions on thin manuscript sheets in pencil.,
1954
(251 pages a.ms.)
Box 22
Orchestral score, Act 1 (1): ozalid copy with changes; p. 4-100.,
1954
(96 pages bd.)

Box 23
Orchestral score, Act 1 (2): ozalid copy with changes; p. 141-284.,
1954
(143 pages bd.)
Box 23
Orchestral score, Act 1 (3): ozalid copy with changes; p. 285-391C.,
1954
(108 pages bd.)
Box 23
Orchestral score, Act 1 (4): ozalid copy with changes; p. 391-480.,
1954
(89 pages bd.)
Box 23
Orchestral score, Act 1 (5): ozalid copy with changes; p. 481-530.,
1954
(51 pages bd.)
Box 23
Orchestral score, Act 2 (1): ozalid copy with changes; p. 1-116.,
1954
(116 pages bd.)
Box 23
Orchestral score, Act 2 (2): ozalid copy with changes; p. 117-197.,
1954
(80 pages bd.)
Box 23
Orchestral score, Act 2 (3): ozalid copy with changes; p. 198-311.,
1954
(113 pages bd.)
Box 23
Orchestral score, Act 2 (4): ozalid copy with changes; p. 312-460.,
1954
(148 pages bd.)
Box 23
Orchestral score, Act 2 (5): ozalid copy with changes; p. 460-533.,
1954
(73 pages bd.)
Box 23
Orchestral score, Act I (1): ozalid copy with changes; p. 2-100.,
1954
(99 pages bd.)

Box 24
Orchestral score, Act I (2): ozalid copy with changes; p. 141-284.,
1954
(143 pages bd.)
Box 24
Orchestral score, Act I (3): ozalid copy with changes; p. 285-390.,
1954
(105 pages bd.)
Box 24
Orchestral score, Act I (4): ozalid copy with changes; p. 391-506.,
1954
(115 pages bd.)
Box 24
Orchestral score, Act I (5): ozalid copy with changes; p. 507-595.,
1954
(88 pages bd.)
Box 24
Orchestral score, Act II (1): ozalid copy with changes; p. 1-106.,
1954
(105 pages bd.)
Box 24
Orchestral score, Act II (2): ozalid copy with changes; p. 107-223.,
1954
(106 pages bd.)
Box 24
Orchestral score, Act II (3): ozalid copy with changes; p. 224-353.,
1954
(129 pages bd.)
Box 24
Orchestral score, Act II (4): ozalid copy with changes; p.354-471.,
1954
(117 pages bd.)
Box 24
Orchestral score, Act II (5): ozalid copy with changes; p. 472-569.,
1954
(97 pages bd.)
Box 24
Orchestral score, Act II (6), "New Finale": ozalid copy with changes; p. 533-569.,
1954
(36 pages bd.)
Box 24
Orchestral Score, Act I: ozalid copy; p. 1-100 (series incomplete).,
1954
(40 pages (double sided))

Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 1-116.,
1954
(116 pages bd.)
Box 25
Orchestral score, Act II: ozalid copy with changes; p. 117-197.
1954
(80 pages bd.)
Box 25
Orchestral score, Act II: ozalid copy with changes; p.198-311.
1954
(113 pages bd.)
Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 312-439.
1954
(127 pages bd.)
Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 440-509.
1954
(69 pages bd.)
Box 25
Orchestral score: miscellaneous pages with changes and additions; previously torn from binding.,
1954
(15 pages (double sided))
Box 25
Orchestral score: miscellaneous pages, blueprint and ozalid copies.,
1954
(519 pages)
Box 25
Orchestral score: ozalid negatives.,
1954
(4 pages)
Box 25
Orchestral score: discarded manuscript on thin sheets. Identified "55D" and "162-163.",
1954
(2 pages a.ms.)

Flatbox 249
Orchestral score, Act I: ozalid copy with changes; p. 1-231.,
1954
(230 pages bd.)

Flatbox 249
Orchestral score, Act I: ozalid copy with changes; p. 232-431,
1954
(199 pages bd.)
Flatbox 249
Orchestral score, Act I: ozalid copy with changes; p. 432-530.,
1954
(98 pages bd.)
Flatbox 249
Orchestral score, Act I: ozalid copy with changes; p. 531-595.,
1954
(64 pages bd.)
Flatbox 249
Orchestral score, Act II: ozalid copies with changes. 1) Pages 1-40 and 350; 41 p. bd. 2) Pages 1-143; 143 p. bd. 3) Pages 144-248; 104 p. bd. 4) Pages 249-411; 162 p. bd. 5) Pages 412-499; 87 p. bd. 6) Pages 533-567 - "New Finale"; 34 p. bd.,
1954
(6 folios)

Flatbox 250
Orchestral score, Act II: reverse blueprint (ink); p. 1-38.,
1954
(38 pages)
Flatbox 250
Vocal score: 1) Manuscript in pencil on thin sheets; pages identified: 321, 322, 325, 326, 328; 5 p. 2) Handwritten memo: "Photograph, original vocal score, Pages 318-319-320"; 1 p.,
1954
(6 pages a.ms.)
Flatbox 250
Bill Hargate, visual artist. Stage design: watercolor painting.
1954
(1 painting s.)
Flatbox 250
Publicity poster. York Playhouse: 1st Ave. at 64th St., New York City.,
1954
(1 folder)
Flatbox 250
Playscript: carbon draft with changes and additions.,
1954
(97 pages bd.)

Box 26
Playscript: mimeograph copy.,
1954
(101 pages bd.)
Box 26
Playscript: draft with changes and additions.,
1954
(92 pages bd.)
Box 26
Playscript, Act I: manuscript (early draft) on thin sheets with handwritten corrections.,
1954
(85 pages t.ms./a.ms.)
Box 26
Playscript, Act II: manuscript (early draft) on thin sheets.,
1954
(72 pages t.ms.)
Box 26
Playscript: miscellaneous handwritten notes and sketches.,
1954
(53 pages a.ms.)
Box 26
Playscript: miscellaneous draft.,
1954
(46 pages t.ms.)
Box 26
Playscript: carbon drafts.,
1954
(62 pages )
Box 26
Production papers including cast list, contract, correspondence with Lucy Kroll agency, statements, petition to Ford Foundation.,
1954
(31 pages )
Box 26
Production papers: statements.,
1954
(1 folder)
Box 26
Publicity clippings: newspapers.,
1954
(1 folder)

Box 26 [COPIES]
Publicity: 11 programs. Cast/production biographies.,
1954
(1 folder)

Box 26
Publicity: newspaper clippings.,
1954
(1 folder)

Box 27 [COPIES]
Publicity: periodical clippings.,
1954
(1 folder)
Box 27 [COPIES]
Publicity: photographs of Moross and production shots; various sizes.,
1954
(30 photographs)

Box 27
Publicity: programs.
1954
(56 items)
Box 27
Embossed scrapbook: no contents.,
1954
(1 folder)
Box 27
Empty folder: marked "vocal score- ozalid copy bound, 2 vol.",
1954
(1 folder)

Box 28Askpatrick
Vocal score: manuscript in pencil; miscellaneous pages.,
1954
(38 pages a.ms.)

Box 28
Vocal score: manuscript on thin sheets; miscellaneous pages.,
1954
(26 pages a.ms.)
Box 28
Vocal score, Act I: manuscript in pencil.,
1954
(178 pages a.ms.)
Box 28
Vocal score, Act II: manuscript in pencil.,
1954
(167 pages a.ms.)
Box 28
Vocal score, Act I: ozalid copy.,
1954
(149 pages)

Box 29
Vocal score: ozalid negatives.,
1954
(155 pages)
Box 29
Vocal score, Act II: ozalid copy.,
1954
(45 pages bd.)
Box 29
Vocal score: ozalid copy; misecellaneous pages.,
1954
(1 folder)
Box 29
Vocal score: printed songs; 7 pages each.,
1954
(4 volumes, 28 pages bd.)
Box 29
Vocal score, Act I: ozalid copy; miscellaneous pages.,
1954
(1 folder)

Flatbox 251
Microfilm. 1) "Orchestral score: Act I." 2) "Vocal Score."
(2 boxes/reels)

Box 40
Record: "The Golden Apple." Original cast album: Phoenix Theatre production.
(1 disc)

Box 42
Compact disc: "The Golden Apple: A Musical Play." Hugh Ross, musical director.,
1997 copyright.
(1 disc)

Box 47

[Gift 1998]

Piano conductor score: "computerized score.",
1954
(388 pages)

Box 48

[Gift 1996]

Piano conductor score.,
1954
(393 pages bd.)
Box 48

[Gift 1996]

Playscript.,
1954
(80 pages bd.)
Box 48

[Gift 1996]

Subseries III.33: Guns and Castanets

Vocal and piano score: ozalid copy.,
1939
(46 pages)

Box 30

[Two songs from the ballet]

Two songs from the Ballet. 1) Photostat of miniature orchestral score; p. 101-111. 2) Vocal and piano score: manuscript, signed. 3) Vocal and piano score: ozalid copy.,
1939
(10 pages, 5 pages ms.s., 5 pages)
Box 30

Subseries III.34: Gunsmoke

Orchestral score: manuscript in pencil. 1) "The Corral." 2) "The Horse Theft." 3) "Kitty." 4) "Jeff." 5) "Riding." 6) "Thataway." 7) "The Shark." 8) "In the Bushes." 9) "The Captive." 10) "Kurch." 11) "Back at the Ranch." 12) "Chief Quick Knife." 13) "Farewell."
(26 pages)

Box 43

Subseries III.35: Have Gun Will Travel

Conductor's score: manuscript.
(33 pages)

Box 30

Subseries III.36: I Hear America Singing

Text adapted from Walt Whitman

Vocal score: 1) Manuscript, signed. 2) Ozalid copy.,
1940
(8 pages a.ms.s., 8 pages)
Box 30

Subseries III.37: In Darkness that Surrounds Us

1) Piano score: ozalid copy; 3 p. 2) Vocal score: ozalid copy; 3 p.
(6 pages)
Box 30

[Hymn]

Subseries III.38: In Memory of a Hero

1) Piano score: manuscript draft; signed. 2) Piano score: manuscript in copyist's hand. 3) Playscript: mimeograph copy.,
1943
(3 pages a.ms.s., 3 pages ms., 22 pages t.ms.)
Box 30

[Radio Play]

Subseries III.39: Inventions for Flute, Oboe and Bassoon

Score: 1) Manuscript, signed. 2) Manuscript on thin sheets, signed.
(4 pages a.ms.s., 2 pages a.ms.s.)
Box 30

Subseries III.40: Jabberwocky

Words by Lewis Carroll

Vocal score: 1) Manuscript, signed. 2) Ozalid copy.
(6 pages a.ms.s., 6 pages)
Box 30

[Song]

Subseries III.41: Jayhawkers

Score: ozalid copy. Reel 1, Part A): "Seal and Main Title." 1B) "Kansas." 1C) "Cam Recovers." 1E-2A) "Jeanne Hides Cam." 2B) "Chopping Wood." 2C) "Jeanne's House." 2E) "Cam's Capture." 3B) "A Smashed Guitar." 3Cx) "Cam Saves Jake." 3C) "Cam Saves Jake." 4B) "Cam Shoots Evans." 5A) "The Stronghold." 5B) "Attempted Assault." 6B) "Raid Montage," Part 1." 6B) "Raid Montage," Part II. 6D) "Cam Riding." 7A) "Love and a Doublecross." 7B) "The Posse." 8B) "Brothers." 8C) "A Raid." 8D) "Accusation." 9B) "Darcy Weakens." 9C) "Cam Arrives." 9D) "Darcy Arrives." 10B) "Premonitions." 10B1) "Premonitions" (continued). 10C) "Zero Hour." 10C1) "Zero Hour," continued. 10D) "Danger Trill." 11A) "The Last Act." 12A) "Prelude to Death." 12B) "Death." 12C) "Finale.",
1958
(113 pages)
Box 30

[Motion Picture]

Score: Manuscript on thin sheets. (See titles from previous file.),
1958
(113 pages a.ms.s.)
Box 30

Subseries III.42: Jerome Moross Sampler

Programs: 2 photocopies., Lyric Theatre, New York
(12 pages, 12 pages)
Box 30

[Concert]

Subseries III.43: Joan of Arc

Orchestral Arrangements by Moross.

Clipping: review. "The Hollywood Reporter.",
20 October 1948
(2 pages)
Box 30

[Motion Picture]

Subseries III.44: Judith Anderson Presentation

1) Score for Parts (4): manuscript in ink. 2) Orchestral score: manuscript on thin sheets in pencil. 3) Orchestral score: photocopy. 2 copies of 3 pages.
(7 pages a.ms.s., 3 pages a.ms., 6 pages)
Box 30

Subseries III.45: Jury of Her Peers

1) Score for two pianos: manuscript on thin sheets, signed. 2) Score: manuscript on thin sheets, signed. 3) Manuscript, signed. 4) Text by Susan Glaspell, printed copy.
(8 pages a.ms.s., 6 pages a.ms.s., 8 pages a.ms.s., 9 pages)
Box 30

[One act opera]

Orchestral score: manuscript in pencil on thin sheets.
(24 pages a.ms.)

Flatbox 252

Subseries III.46: King David: The Dance Before the Ark

Adapted from "Le Roi David: Le Danse devant l'Arche" by Arthur Honegger.

1) Score for two pianos: manuscript on thin sheets. 2) Score for two pianos: ozalid copy of copyist's version; 2 copies of 26 pages.,
1946
(19 pages a.ms.s., 52 pages)

Box 30

Subseries III.47: Last Judgement

See also compact disc: Symphony No. 1 (Box 46)

Orchestral score: manuscript on thin sheets.,
1975
(200 pages a.ms.)
Box 30

[Ballet]

Orchestral score: ozalid copy.,
1975
(200 pages bd.)
Box 30
Piano score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy.,
1975
(40 pages a.ms.s., 40 pages)

Box 31
Score: manuscript, signed.,
1975
(7 pages a.ms.s.)
Box 31
Score for two pianos: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 51 pages, bd.,
1975
(51 pages a.ms.s., 2 vol.)
Box 31
Tape recording: "Piano 4 Hands," "3 Dances-Orchestral version," "Repeat of Side 1."
(1 cassette)

Box 41
Records (damaged). 1) "The Last Judgement (TLJ): Piano Reduction" and "Three Dances from TLJ." 2) "TLJ: 1" and "TLJ: 3." 3) "TLJ: 2." 4) "Three Dances from TLJ." 5) "TLJ: The Los Angeles Philharmonic." 6) "TLJ: Parts 1, 2, 3" and "TLJ: Parts 8 and 9." 7) "TLJ: Parts 4 and 5" and "TLJ: Parts 6 and 7." 8) "TLJ: Part 10." 9) "TLJ: Excerpts: Three Dances" and "Piano Groove."
(9 discs)

Box 42

Subseries III.48: Life of the Bee

After Maeterlinck

Concert programs: Robin Hood Dell.,
1935
(2 vol.)

Box 31

[Ballet]

Subseries III.49: Little Mermaid Ballet

Adapted by Moross from Franz Liszt for a Hans Christian Anderson film.

Orchestral scores. 1) Part One "Gnomenreigen": manuscript, signed. 2) Part Four "Underwater Ballet": manuscript, signed. 3) Part Six "Valse Oubilee": manuscript.
(10 pages a.ms.s., 14 pages a.ms.s., 35 pages a.ms.)
Box 31

[Motion Picture]

Subseries III.50: Love and Kisses

Vocal score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 pages.
(2 pages a.ms.s., 4 pages)
Box 31

[Song from film]

Subseries III.51: Love Me

Piano score: ozalid copy.
(6 pages)
Box 31

[Song]

Subseries III.52: Make Me Care

Vocal score "Reel 3, Part 2": ozalid copies; 3 copies of 3 p.
(9 pages)
Box 31

[Song from film]

Subseries III.53: Man with a Bear

Script by Talbot Jennings

1) Orchestral score: ozalid copy. 2) Playscript: mimeograph copy.,
30 May 1943
(4 pages, 22 pages)
Box 31

[Radio play]

Subseries III.54: Mr Fox and Mrs Flye

Adapted from Ben Jonson's "Valpone."

Scenario: carbon copy with signed letter of agreement.
(11 pages)
Box 31

[A play in music]

Subseries III.55: Mountain Road

See also compact disc: "Valley of Gwangi."(Box 47)

Periodical review: "Daily Variety," Hollywood, California.
23 March 1960
(1 page)
Box 31

[Motion Picture]

Orchestral score: manuscript, signed.,
1960
(164 pages)

Box 45

[Gift 1987 and 1990]

Orchestral score: photocopy.,
1960
(114 pages)
Box 45

[Gift 1987 and 1990]

Score "Can Can": photostat.,
1960
(4 pages)
Box 45

[Gift 1987 and 1990]

Timing chart: photostat; 2 copies of 3 p.,
1960
(3 pages)
Box 45

[Gift 1987 and 1990. ]

Subseries III.56: Music for the Flicks

Program with composer note: Oakland Symphony Youth Orchestra.
11 April 1980
(1 item)

Box 31

[A suite of film music for Orchestra]

Orchestral score: manuscript in pencil on thin sheets in five parts. 1) Outline and list of parts. 2) I. An Episode in Venice. 3) II. Pastorale. 4) III. Romanza. 5) IV. Habanera and Danzon. 6) V. Nocturnal Procession.,
1966
(1 page t.ms., 40 pages a.ms., 27 pages a.ms.s., 31 pages a.ms.s., 40 pages a.ms.s., 17 pages a.ms.s.)

Flatbox 252

Subseries III.57: New Music Revues for Old

Article written by Moross.

Article: "New Theatre" magazine; pgs. 12-13, 33.,
October 1935
(2 vol.)

Box 31 [COPIES]

Subseries III.58: Nocturne

Programs with inserts: 1) New Chamber Orchestra (NY). 2) Newspaper clipping, no identified source (photocopy).,
25 February 1934
(10 items, 1 page)

Box 31

[Chamber piece]

Subseries III.59: Notes on Program

Written by Moross.

Mimeograph copy of Moross' program notes for a concert in which none of his works were played.
(3 pages t.ms.)
Box 31

Subseries III.60: One for Me

Vocal score: 1) Manuscript on thin sheets, signed. 2) Published version.,
1955 c.
(2 pages a.ms.s., 5 pages)
Box 31

[Song]

Subseries III.61: Paenans

1) Orchestral score: manuscript in pencil, signed. 2) Orchestral score: published version; 3 copies of 16 pages, bd. 3) Programs with announcements: Chamber Symphony Orchestra (NY).
1931; 13 February 1932
(18 pages a.ms.s., 3 vol., 4 items)
Box 31

[Concert piece]

Subseries III.62: Parade

See also compact disc: "Underworld."(Box 47)

1) Orchestral score "Letter to the President": manuscript in pencil, signed. 2) Vocal score "Letter to the President": manuscript in the hand of a copyist with ozalid copy; each 7 p., bd. 3) Vocal score "Life Could be so Beautiful": published version; two copies of 5 p., bd.,
1935
(16 pages, a.ms.s., 2 vol., 2 vol.)
Box 31

[Musical revue. See also compact disc: "Underworld." (Box 47)]

Publicity: 1) Program: Guild Theatre (NY); 3 copies. 2) Newspaper clippings including the New York Times and The Boston Globe. 3) Periodical clipping: "The New Theatre," June 1935 with photocopy; 2 copies of 5 p.,
n.d., March-June 1935
(3 items, 27 pages, 10 pages)
Box 31
Lyrics. Xerox copy of materials at the Library of Congress.,
1935
(16 pages)

Box 49

[Gift 1996]

Miscellaneous notes. Xerox copy of materials at the Library of Congress.,
1935
(5 pages)
Box 49

[Gift 1996]

"Music Notebook." Xerox copy of materials at the Library of Congress.,
1935
(15 pages)
Box 49

[Gift 1996]

Orchestral score: "Bourgeois Processional." Xerox copy of materials at the Library of Congress.,
1935
(52 pages)

Flatbox 252

[Gift 1996]

Orchestral score: "Cock-eyed Finale." Xerox copy of materials at the Library of Congress.,
1935
(10 pages)
Flatbox 252

[Gift 1996]

Orchestral score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress.,
1935
(36 pages)

Box 49

[Gift 1996]

Orchestral score: "Flight from the Soviets." Xerox copy of materials at the Library of Congress.,
1935
(30 pages)

Flatbox 252

[Gift 1996]

Orchestral score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress.,
1935
(19 pages)

Box 49

[Gift 1996]

Orchestral score: "I'm Telling You, Louie"; pages 9-16A. Xerox copy of materials at the Library of Congress.,
1935
(9 pages)
Box 49

[Gift 1996]

Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress.,
1935
(9 pages)
Box 49

[Gift 1996]

Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress.,
1935
(24 pages)
Box 49

[Gift 1996]

Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress.,
1935
(35 pages)
Box 49

[Gift 1996]

Orchestral score: "Join Our Ranks." Xerox copy of materials at the Library of Congress.,
1935
(15 pages)

Flatbox 252

[Gift 1996]

Orchestral score: "Life Could Be so Beautiful." Xerox copy of materials at the Library of Congress.,
1935
(52 pages)

Box 49

[Gift 1996]

Orchestral score: "Marry Me." Xerox copy of materials at the Library of Congress.,
1935
(34 pages)
Box 49

[Gift 1996]

Orchestral score: "Marry Me: Encore." Xerox copy of materials at the Library of Congress.,
1935
(20 pages)
Box 49

[Gift 1996]

Orchestral score: "Newsboy-ballet scene." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Orchestral score: "Newsboy-opening music." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Orchestral score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress.,
1935
(19 pages)
Box 49

[Gift 1996]

Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress.,
1935
(2 pages)
Box 49

[Gift 1996]

Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress.,
1935
(26 pages)

Flatbox 252

[Gift 1996]

Orchestral score: "Parade No. 2." Xerox copy of materials at the Library of Congress.,
1935
(1 page)
Flatbox 252

[Gift 1996]

Orchestral score: "The Policeman." Xerox copy of materials at the Library of Congress.,
1935
(8 pages)

Box 49

[Gift 1996]

Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress.,
1935
(15 pages)
Box 49

[Gift 1996]

Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress.,
1935
(35 pages)
Box 49

[Gift 1996]

Orchestral score: "Selling Sex: Encore." Xerox copy of materials at the Library of Congress.,
1935
(20 pages)
Box 49

[Gift 1996]

Orchestral score: "Send for the Militia." Xerox copy of materials at the Library of Congress.,
1935
(15 pages)
Box 49

[Gift 1996]

Orchestral score: "Snow from Heaven." Xerox copy of materials at the Library of Congress.,
1935
(36 pages)
Box 49

[Gift 1996]

Orchestral score: "Wild Boys on the Road." Xerox copy of materials at the Library of Congress.,
1935
(18 pages)
Box 49

[Gift 1996]

Orchestral score: "You Ain't So Hot." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Orchestral score: "You Ain't So Hot"; pages 5-37. Xerox copy of materials at the Library of Congress.,
1935
(33 pages)
Box 49

[Gift 1996]

Score for parts: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress.,
1935
(31 pages)
Box 49

[Gift 1996]

Vocal score: "Dance." Xerox copy of materials at the Library of Congress.,
1935
(8 pages)
Box 49

[Gift 1996]

Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress.,
1935
(18 pages)
Box 49

[Gift 1996]

Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress.,
1935
(20 pages)
Box 49

[Gift 1996]

Vocal score: "Fear in My Heart." Xerox copy of materials at the Library of Congress.,
1935
(2 pages)
Box 49

[Gift 1996]

Vocal score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "Join Our Ranks." Xerox copy of materials at the Library of Congress.,
1935
(5 pages)
Box 49

[Gift 1996]

Vocal score: "Letter to the President." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996]

Vocal score: "Marry Me." Xerox copy of materials at the Library of Congress.,
1935
(5 pages)
Box 49

[Gift 1996]

Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress.,
1935
(16 pages)
Box 49

[Gift 1996]

Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996]

Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress.,
1935
(5 pages)
Box 49

[Gift 1996]

Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "On Parade." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "On Parade." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996]

Vocal score: "On Parade." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996]

Vocal score: "The Policeman." Xerox copy of materials at the Library of Congress.,
1935
(3 pages)
Box 49

[Gift 1996]

Vocal score: "The Policeman (I Love Boys in Blue)." Xerox copy of materials at the Library of Congress.,
1935
(3 pages)
Box 49

[Gift 1996]

Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress.,
1935
(6 pages)
Box 49

[Gift 1996]

Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress.,
1935
(8 pages)
Box 49

[Gift 1996]

Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress.,
1935
(12 pages)
Box 49

[Gift 1996]

Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress.,
1935
(8 pages)
Box 49

[Gift 1996]

Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress.,
1935
(9 pages)
Box 49

[Gift 1996]

Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress.,
1935
(16 pages)
Box 49

[Gift 1996]

Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress.,
1935
(22 pages)
Box 49

[Gift 1996]

Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996]

Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress.,
1935
(7 pages)
Box 49

[Gift 1996Gift 1996]

Subseries III.63: Peppermint Tree

1) Orchestral score: manuscript, signed. 2) Publicity: periodical "Film Music" Vol. XII, Jan.-Feb. 1953; p. 18,
1952
(40 pages a.ms.s., 1 page)

Box 32

[Animated film]

Subseries III.64: Proud Rebel

Orchestral score: 1) Manuscript, signed. 2) Ozalid copy. 3) Photostat of miniaturized score. Vocal score: 4) "My Rebel Heart": published version.
1958
(118 pages a.ms.s., 117 pages, 54 pages, 3 pages)
Box 32

[Motion Picture]

Microfilm.
(1 box/reel)

Box 40
Tape recordings: 2 copies of 2 reels.
(4 boxes/reels)
Box 40
Music cues: xerox copy.
1968
(17 pages)

Box 32

[Gift 1995]

Record: "Soundtrack Music from The Proud Rebel."
(1 disc)

Box 42
Records: unidentified.
(12 discs)
Box 42

Subseries III.65: Rachel, Rachel

Original title: "Jest of God." See also compact disc "Valley of Gwangi."(Box 47)

1) Piano score: ozalid copy. 2) Publicity: "Life," Vol. 65, No. 16, 18 Oct 1968, p. 46-53.,
1968
(3 pages, 7 pages)

Box 32

[Motion Picture]

Orchestral score: xerox copy.,
1968
(85 pages)
Box 32

[Gift 1995]

Orchestral score: xerox copies. 1) Japonica Street; 2 p. 2) Shadow Pictures; 5 p. 3) Accident Fantasy; 5 p. 4) Hand-Kissing Fantasy; 2 p. 5) Auto-Erotica; 7 p. 6) Hysteria; 7 p. 7) Country Walk; 15 p. 8) The Sci-Fi Flick; 7 p. 9) Fantasy Dance; 2 p. 10) Love Scene; 7 p. 11) Pill Fantasy; 2 p. 12) The Cellar Door; 4 p. 13) Down on the Farm; 6 p. 14) End of the Affair; 2 p. 15) Rachel Pregnant; 5 p. 16) The Basement; 2 p. 17) Suicide Fantasy; 6 p. 18) The Operation; 6 p. 19) End Title; 6 p.,
1968
(101 pages)

Flatbox 252

[Gift 1995]

Subseries III.66: Ramble on a Hobo Tune

1) Piano score "III- Invention" and "Symphony IIIrd Movement": manuscript in ink, signed. 2) Orchestral score: ozalid copy.
(5 pages a.ms.s., 9 pages)

Box 32
Records. "Music from Rachel, Rachel."
(4 discs)

Box 42

Subseries III.67: Recitative and Aria

Score for violin: purple hectograph; two copies of 5 p.
(10 pages)

Box 32

Subseries III.68: Recitative and Aria

Score for Violin: 1) Manuscript on thin sheets. 2) Ozalid copy. 3) Purple ozalid; 2 copies of 4 p.
(4 pages a.ms., 4 pages, 8 pages)
Box 32

[For Violin]

Score for Violin II: 1) Manuscript, signed. 2) Ozalid copy.
(8 pages a.ms.s., 8 pages)
Box 32
Score for violin and orchestra: manuscript on thin sheets; signed.
(10 pages a.ms.s.)
Box 32

Subseries III.69: Recitative and Aria for Violin and Piano

Score for violin and piano (drafts): 1) Manuscript, signed. 2) Manuscript on thin sheets. 3) manuscript on thin sheets.,
1941, c. 1947
(14 pages a.ms.s., 18 pages a.ms.s., 13 pages a.ms.s.)
Box 32
Score for violin and piano: 1) Ozalid copy. 2) Purple ozalid copy; two copies of 13 p. 3) Ozalid copy, signed; 10 p., bd. 4) Photostat.,
1941, c. 1947
(13 pages, 26 pages 1 , vol. 18, pages )
Box 32

Subseries III.70: Roundelay

Score: manuscript on transparencies.
(272 pages ms.)
Box 32

[Orchestral Work]

Subseries III.71: Second Battle of Warsaw

l) Playscript: mimeograph copy with pencil corrections. 2) Score: manusript, signed. 3) Ozalid copy of score.,
1943
(22 pages t.ms, 4 pages ms.s., 2 pages)

Box 33

[Radio play]

Subseries III.72: Seven Wonders of the World

1) Music notes: carbon copy. 2) Published publicity brouchure (Stanley Warner Corp.). Scores: signed manuscripts on thin sheets and ozalid copies. 3) "The Holy Land," manuscript; 15 p. 4) "The Mediterranean," manuscript; 8 p. 5) "Rome," manuscript; 5 p. 6) "The Vatican (Beginning),"manuscript; 5 p. 7) "The Holy Land," copy with pencil additions; 2 copies of 15 p. 8) "The Mediterranean," copy; 8 p. 9) "Rome," copy; 6 p. 10) "The Vatican (Beginning)," copy; 5 p. 11) "The Vatican (Ending)," copy; 3 p.,
1953
(18 pages t.ms., 1 item, 85 pages)
Box 33

[Motion Picture]

Subseries III.73: Sharkfighters

See also compact disc "The Valley of Gwangi."(Box 47)

Orechestral scores: 1) Manuscript on thin sheets, signed. 2) Rejected manuscript on thin sheets, signed. 3) "Theme from the Sharkfighters": manuscript on thin sheets, signed. 4) Text to "Restless Lover.",
1956
(94 pages a.ms.s., 3 pages a.ms.s., 3 pages a.ms.s., 2 pages )
Box 33

[Motion Picture]

Orchestral score: 1) Photostat copy. 2) "Theme from the Sharkfighters," published score. 3) Ozalid copy with additions in pencil.,
1956
(57 pages, 2 pages, 94 pages)
Box 33
Microfilm. "Orchestral Score."
(1 box/reel)

Box 40
Score for 30 parts.
(352 pages)

Box 47

[Gift 1994]

1) Orchestral score: master score in pencil. 2) List of players.
(97 pages a.ms.s., 2 pages)

Flatbox 255

[Gift 1993]

Subseries III.74: Sonata for Piano

Program: Pan American Association of Composers Inc.(NY)
(1 page)

Box 33

Subseries III.75: Sonata for Piano Duet and String Quartet

Scores. 1) Orchestral score: manuscript on thin sheets, signed. 2) Score for 4 Parts: ozalid copies with pencil notations. 3) Score: manuscript, signed.,
1975
(85 pages a.ms.s., 54 pages, 61 pages a.ms.s.)
Box 33

Subseries III.76: Sonata for Piano Duet and String Quartet

Record: "Test Pressing.",
1975
(1 disc)

Box 42

[With Flute Concerto]

Subseries III.77: Sonatina for Brass Quintet

1) Manuscript on thin sheets, signed. 2) Score: manuscript in pencil, signed. 1) Programs: Miami Chamer Ensemble; 3 copies.
1969
(16 pages a.ms.s., 21 pages a.ms.s., 3 pages)

Box 34

[Sonatinas for Divers Instruments No 4]

Subseries III.78: Sonatina for Clarinet Sextet

Orchestral score: 1)Manuscript in pencil on thin sheets, signed. 2) Ozalid copy. 3) Manuscript in pencil. 4) Published music review (no source): original and photocopy.,
1966
(35 pages a.ms.s., 35 pages bd., 35 pages a.ms.s., 2 pages)
Box 34

[Sonatinas for Divers Instruments No 1]

Subseries III.79: Sonatina for String Bass and Piano

Orchestral score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 24 p., bd. 3) Score: manuscript in pencil.,
1966
(24 pages, 2 vol., 32 pages a.ms.)
Box 34

[Sonatina for Divers Instruments No 2]

Subseries III.80: Sonatina for Woodwind Quintet

1) Orchestral score: manuscript on thin sheets, signed. 2) Five parts: manuscript on transparencies. 3) Score: manuscript, signed.
1970
(30 pages a.ms.s., 50 pages a.ms., 39 pages a.ms.s.)
Box 34

[Sonatina for Divers Instruments No 3]

Orchestral score: 1) Ozalid copy; 30 p. 2) Ozalid copies; 3 copies of 30 p., bd. 3) Score for 5 parts: 3 copies of 5 vol.,
1970
(30 pages, 3 vol., 15 vol.)
Box 34

Subseries III.81: Sonatinas

Records: "Sonatinas for Divers Intruments." Pro Musica of London.
(1 disc)

Box 42

Subseries III.82: Sorry Wrong Number

Vocal score: manuscript on thin sheets, signed.
1977
(83 pages a.ms.s.)

Box 35

[An opera in one act]

Vocal score: manuscript, signed.
1977
(116 pages a.ms.)
Box 35
Score for 23 parts: manuscript on transparencies.,
1977
(354 pages)
Box 35
Playscript: mimeograph copy; two copies of 28 p.,
1977
(56 pages t.ms.)
Box 35
Programs: Lake George Opera Festival (Glen Falls, NY).,
1977
(4 items)
Box 35
Periodical clipping: Contemporary American Opera Studio.,
June-August 1980
(1 page)
Box 35
1) Vocal score: ozalid copy of rehearsal score. 2) Score for two pianos and voices: manuscript, signed.,
1977
(80 pages, 116 pages a.ms.)
Box 35
1) Orchestral score: manuscript in pencil on thin sheets. 2) Correction sheet written in pencil.,
1977
(327 pages a.ms., 1 page )

Flatbox 253
Orchestral score: reduced ozalid negatives with original postal packaging to Moross.,
1978
(327 pages)
Flatbox 253
Tape recording: "Orchestral Reading: Lake George Opera.",
1
(reel )

Box 41
Tape recording: "Orchestral reading: Lake George Opera."
(1 cassette)
Box 41

Subseries III.83: Stevedore

Programs: Civic Repertory Theatre (New York City).,
1934
(2 items)

Box 35

[Play]

Subseries III.84: Symphony No 1

Orchestral score: ozalid copy with additions in pencil; 2 copies of 106 p., bd.,
1943
(2 vol.)

Box 36
Orchestral score: reduced ozalid negatives.,
1943
(146 pages)
Box 36
Orchestral score: manuscript on thin sheets.,
1943
(106 pages a.ms.)
Box 36
Parts (30): manuscript on transparencies.
1943
(220 pages a.ms.)
Box 36
Piano score: manuscript on thin sheets.,
1943
(42 pages a.ms.)
Box 36
Programs. Philharmonic Orchestra of Los Angeles (6 with 2 inserts); The Philharmonic-Symphony Orchestra, City College of New York (3); Seattle Symphony Orchestra (3); Glendale Philharmonic Orchestra presents the Philharmonic Orchestra of Los Angeles (2).,
1943-1945
(14 items, 2 inserts)
Box 36
Season programs: The Southern California Symphony Association presents the Philharmonic Orchestra of Los Angeles.,
1944-1955
(3 items)
Box 36
Publicity: newspaper clippings.,
n.d., 19 Oct 1943-19 Nov 1944
(28 pages)
Box 36
Publicity: periodicals. 1) "Modern Music," Vol. 22, No. 2. Jan.-Feb. 1945. (p. 111-114.) 2) "Rob Wagner's Script," Vol. 30, No. 693. Dec. 2, 1944. (p. 24). 3) Photocopies of articles.,
1944-1945
(1 vol., 1 vol., 4 pages)
Box 36
Miscellaneous publicity: 1) Statement. 2) Guggenheim Fellowship application.,
1944, n.d.
(1 page, 2 pages)
Box 36
Score for two pianos "Second Movement Sonata Scherzo": manuscript on thin sheets, signed.,
1943
(21 pages a.ms.s.)

Box 37
Score for two pianos: 1) Ozalid copy; p. 8-28. 2) "Second Movement": ozalid copy; p. 9-28.
1943
(21 pages, 20 pages)
Box 37
Score for two pianos "IV-Fugue": ozalid copy; p. 34-42.,
1943
(9 pages)
Box 37
Tape recording of radio broadcast: "Symphony No. 1: L.A. Philharmonic-Wallenstein.",
19 Nov 1944
(1 cassette)

Box 41
Records: Los Angeles Philharmonic, Alfred Wallenstein, conductor. 1) "Symphony No. 1," 4 copies. 2) "Symphony No. 1, 3rd and 4th Movements" and "1st and End mvts." 3) "Symphony #1, First Movement."
(4 discs, 1 disc, 1 disc)

Box 43
Orchestral Score (30 parts): new master parts with all corrections.,
1943
(220 pages, 3 folders)

Box 46

[Gift 1991]

Piano score: new master part with all corrections.,
1943
(15 pages)
Box 46

[Gift 1993]

Recording: compact disc. London Symphony Orchestra , JoAnn Falletta conductor., London,
1993
(1 disc)
Box 46

[Gift 1993. With "The Last Judgement" and "Variations on a Waltz."]

1) Orchestral score: photocopy with composer's corrections. 2) List of movements and instruments specific to performance the Seattle Symphony Orchestra (WA).,
18 Oct 1943
(146 pages, 1 page)

Flatbox 254

[Gift 1992]

1) Orchestral score: manuscript on thin sheets, signed. 2) Composers notes on reduced copy of score.,
1943
(146 pages a.ms.s., 2 pages)
Flatbox 254
Orchestral score: ozalid copy.,
1943
(146 pages bd.)
Flatbox 254

Subseries III.85: Symphony No 2

Score: manuscript sketches.
(95 pages)

Box 37
Score: manuscript sketches, signed.
(5 pages a.ms.s.)
Box 37

Subseries III.86: Tall Story for Orchestra

1) Programs. 2) Orchestral score: reduced ozalid negatives.,
1938
(14 items, 96 pages)
Box 37
Parts (27): manuscript on transparencies.
1938
(149 pages)
Box 37
1) Orchestral score: manuscript on thin sheets, signed. 2) List of players.,
1938
(96 pages a.ms., 1 page t.ms.)

Flatbox 255

Subseries III.87: There's a Moon Tonight

Announcement/ticket.
(1 item)

Box 37

Subseries III.88: Those Everlasting Blues

Orchestral score: manuscript, signed.,
1932
(27 pages a.ms.s.)
Box 37
1) Program: New School for Social Research (NY). 2) Newspaper clippings including New York Sun, 29 Oct 1932.,
1932
(1 item, 2 pages)
Box 37

Subseries III.89: Those Gamblers' Blues

Vocal score: ozalid copy.
(6 pages )
Box 37

[Song]

Subseries III.90: Tumwater Rhapsody

Olympia Beer Commercial.

Orchestral score: ozalid negatives.,
1966
(55 pages)
Box 37
Piano score "Theme from Tumwater Music": 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 p.,
1966
(2 pages a.ms.s., 4 pages)
Box 37
Score: ozalid copy.,
1966
(55 pages bd.)

Flatbox 255

Subseries III.91: Two Songs

"Jabberwocky" and "Those Gamblers Blues."

1) Program: The New School Auditorium (NY). 2) Newspaper clipping.,
1933
(2 items, 1 page)

Box 37

Subseries III.92: Underworld

Playscript: 1) Mimeograph copy. 2) Mimeograph copy.,
1960
(111 pages, 110 pages)
Box 37

[Musical Play]

Playscript: miscellaneous pages with notes added in pencil.,
1960
(43 pages t.ms.)
Box 37
Playscript: draft, carbon copy; two copies of 60 pages.,
1960
(120 pages)
Box 37
Playscript: miscellaneous xerox pages.,
1960
(52 pages t.ms.)
Box 37
Vocal score "Baby's Gonna Shake It Tonight" (song): 1) Manuscript, signed. 2) Ozalid copy.,
1960
(7 pages a.ms., 7 pages)

Box 38
"The Bad Old Days" (song). 1) Lyrics. Vocal score: 1) Manuscript, signed. 3) Manuscript, signed. 4) Ozalid copies with changes; two copies of 4 p.,
1960
(1 page, 6 pages a.ms.s., 4 pages a.ms.s., 8 pages)
Box 38
"Beer and Flowers" (song). Vocal score: manuscript, signed.,
1960
(9 pages a.ms.s.)
Box 38
Vocal score "The Cream of Society" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy; 3 copies of 9 p.,
1960
(9 pages a.ms.s., 9 pages, 27 pages)
Box 38
"Danger" (song): 1) Lyrics with changes in pencil. Vocal score: 2) Manuscript on thin sheets in pencil, signed. 3) Ozalid copy with pencil changes; two copies of 6 p., bd. 4) Manuscript on thin sheets in pencil, signed. 5) Photocopy. "Cicero's Danger Song." Vocal score: 6) Manuscript on thin sheets in pencil with ozalid copy; two copies of 8 p.,
1960
(1 page t.ms., 3 pages a.ms.s., 2 vol., 11 pages a.ms.s., 11 pages, 16 pages)
Box 38
"The Girls" (song): 1) Lyrics with pencil changes. 2) Vocal score: manuscript on thin sheets.,
1960
(5 pages t.ms., 5 pages a.ms.)
Box 38
Vocal score "Give Me a Chance" (song): 1) Manuscript on thin sheets with pencil changes; signed. 2) Ozalid copy with pencil changes; three copies of 6 p. 3) Ozalid copy.,
1960
(6 pages a.ms.s., 18 pages, 6 pages)
Box 38
Vocal score "It's Almost Time Now" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes.,
1960
(5 pages, 5 pages)
Box 38
Vocal score "I've Even Been in Love" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes; 2 copies of 11 p. 3) Ozalid copy.,
1960
(11 pages a.ms.s., 22 pages, 11 pages)
Box 38
"Keep on Saying It" (song). Score: 1) Manuscript on thin sheets, signed. Vocal score: 2) Manuscript on thin sheets, signed. 3) Manuscript on thin sheets, signed.,
1960
(6 pages a.ms.s., 6 pages a.ms.s., 4 pages a.ms.s.)
Box 38
"Kinda Like" (song). 1) Lyrics. Score: 2) Manuscript on thin sheets, signed;. 3) Manuscript sketch.,
1960
(2 pages, 5 pages a.ms.s., 1 page a.ms.)
Box 38
Vocal score "Love Me" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy.,
1960
(6 pages a.ms.s., 6 pages, 6 pages)
Box 38
Vocal score "Paddy Boy" (song): manuscript on thin sheets, signed.,
1960
(9 pages a.ms.s.)
Box 38
Score "Pepita's Song" (song): manucript on thin pages.,
1960
(7 pages a.ms.)
Box 38
"Prologue" (song). 1) Lyrics. 2) Score: manuscript on thin sheets. Vocal score: 3) Manuscript on thin sheets, signed. 4) Ozalid copy.,
1960
(3 pages t.ms., 6 pages a.ms., 6 pages a.ms., 6 pages)
Box 38
Vocal score "That Extra Bit" (song): 1) Manuscript, signed. 2) Ozalid copy.,
1960
(8 pages a.ms.s., 8 pages)
Box 38
"You've Got Brains" (song). 1) Score: manuscript, signed. 2) Vocal score: manuscript, signed.,
1960
(6 pages a.ms.s., 2 pages a.ms.s.)
Box 38
Miscellaneous items. Scores: 1) Manuscript sketches; 2 p. Lyrics, t.ms.: 2) "All I Have Left," carbon copy; 1 p., t.ms. 3) "Chicago Isn't Mine Anymore," with pencil changes; 3 p. 4) "Fighting and Drinking"; 4 p., t.ms. 5) "Make It a Fast One"; 2 p., a.ms. 6) "Mock Wedding" carbon copy; 2 p., t.ms. 7) "Start It Moving"; 4 p., a. and t.ms. 8) "We're Throwing a Party" carbon copy; 1 p., t.ms.,
1960
(17 pages ms.)
Box 38
Compact disc: "Songs from the Underworld" and "Parade." Broadway soundtrack.,
1991
(1 disc)

Box 47

[Gift 1991]

Vocal scores: ozalid copies with pencil changes. 1) "Beer and Flowers"; 9 p. 2) "Keep on Saying It"; 4 p. 3) "Paddy Boy"; 9 p. 4) "Prologue and Epilogue"; 6 p. 5) "That Extra Bit"; 8 p. 6) "You Got Brains"; 2 p. 7) "You Got Brains (Tango)"; 2 p.,
1960
(7 folios, 40 pages)

Flatbox 255

Subseries III.93: V-Day

Script by Arch Oboler

1) Playscript: mimeograph copy with pencil changes. 2) Score: ozalid copy.,
27 June 1943
(21 pages, 3 pages)

Box 38

[Radio play]

Subseries III.94: Valley of Gwangi

Score: manuscript on thin sheets, signed.
1968
(164 pages a.ms.s.)
Box 38

[Motion Picture]

Score: ozalid copy.
1968
(164 pages bd.)
Box 38
Compact disc: "The Classic Film Music of Jerome Moross." City of Prague Philharmonic conducted by Paul Bateman. Includes: "The Valley of Gwangi," "The Sharkfighters," "Rachel, Rachel," "The War Lord," "The Mountain Road," "Five Finger Exercise," "Wagon Train," and "The Adventures of Huckleberry Finn.",
1995 copyright
(1 disc)

Box 47

[Gift 1998]

Subseries III.95: Variations

Program: The New Chamber Orchestra., Town Hall, 113 West 43rd St., New York City.,
3 December 1933
(4 items)

Box 38

Subseries III.96: Variations on a Waltz

See also compact disc: Symphony No. 1.(Box 46)

Score (31 Parts): manuscript on transparencies in copyist's hand.,
1980
(259 pages ms.)
Box 38

[Orchestral work]

Record. "Variations on a Waltz: Two Piano Demo."
(1 disc)

Box 43
1) Orchestral score: manuscript on thin sheets; signed. 2) List of players.,
1980
(156 pages a.ms.s., 1 page t.ms.)

Flatbox 255

Subseries III.97: Wagons Ho!

Theme music: published score in vol.; p. 62-64,
1959
(3 pages bd.)

Box 39

[Television show]

Subseries III.98: Warlord

See also compact disc: "Valley of Gwangi."(Box 47)

Conductor parts: 2 ozalid copies of 128 p.,
1965
(256 pages)
Box 39

[Motion Picture]

Conductor parts: Ozalid copy with recording history.
1965
(128 pages bd.)
Box 39
Record. "The War Lord: Original Soundtrack Album.", 1965
(1 disc)

Box 43
Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel 2, Cue B: "Pagan Shrine"; 3 p. -- 4) Reel II, Part C: "Forsaken Village"; 4 p. -- 5) Reel II, Part D and Reel II Part A: "Obsession Begins"; 8 p. -- 6) Reel III, Part B: "Father's Fate"; 3 p. -- 7) 3C: "The Hunt"; 1 p. -- 8) 3D: "Naked Emotion"; 6 p. -- 9) 4A: "To Ease the Pain"; 9 p. -- 10) 4B: "Agony Shared"; 2 p. -- 11) 4C: "Injured Dignity"; 3 p. -- 12) 4D-5A: "Witch Chase"; 4 p. -- 13) 5B: "Come Lie with Me"; 6 p. -- 14) 5C: "Judge and Jury"; 2 p. -- 15) 5D: "Consent to Wed"; 5 p. -- 15) Reel VI, Part A: "Rustic Wedding"; 5 p. -- 16) 6B: "Marriage Ceremony and Dance"; 6 p. -- 17) 7A: "Virgin Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23) 14B: "End Title"; 2 p.,
1965
(23 folios, 128 pages)

Flatbox 256
Orchestral score: thermofax copy.
1965
(17 pages)
Flatbox 256

Subseries III.99: When I Grow Up

1) Score: manuscript, signed. -- 2) Payment receipts.,
1951
(82 pages a.ms.s., 2 pages)

Box 39

[Motion Picture]

Video tape recording: "When I Grow Up.",
1951
(1 cassette)

Box 41

[Gift 1987 and 1990]

Subseries III.100: World Turned Upside Down

Based upon a Revolutionary War tune played at the surrender of Cornwallis.

1) Score: manuscript in pencil, signed. 2) Photocopy from "The Music of George Washington's Time," p. 36-37.
(6 pages a.ms.s., 1 page)

Box 39

[Song]

Subseries III.101: Would-Be Gentleman

Music adapted from J.B. Lully

1) Contract (Moross/William Morris Agency, Inc.). 2) Program (Booth Theatre, NY). Scores:manuscripts on thin sheets. 3) "Finale Act I"; 2 p. 4) "Final Minuet-Finale Act II"; 2 p. 5) "Madame Jourdains Exit"; 1 p. 6) "Overture"; 3 p. 7) "Pas de Trois"; 5 p. 8) "Serenade"; 2 p. 9) "Stop Thief"; 1 p. 10) "Turkish March"; 1 p. 11) "Werner's Specialty"; 7 p. 12) "Werner's Specialty"; 2 p. 13) "Pas de Trois," score for five parts in copyist's hand; 18 p. 14) "Pas de Trois," ozalid copy; 5 p. 15) Miscellaneous. Ozalid copy; 1 p.
1945
(2 items, 50 pages)
Box 39

[Musical Play]

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