Summary Information
Abstract
Samuel Roth (1893-1974)—writer, publisher, entrepreneur, and all-around
schemer—is best known for publishing unauthorized excerpts of James Joyce's
Ulysses
in the United States, and for being the plaintiff in
a landmark case before the United States Supreme Court that redefined what constitutes
obscene material unprotected by the First Amendment. The Samuel Roth Papers contain
annotated books, manuscripts, court documents, business records, copyright statements,
unpublished typescripts (by Roth and others), publishing advertisements and materials,
as well as correspondence.
At a Glance
| Call No.: | MS#1463 |
| Bib ID: | 6913670 View CLIO record |
| Creator(s): | Roth, Samuel, 1893-1974. |
| Title: | Samuel Roth
Papers,
1907-1994
[Bulk Dates: 1910-1979].
|
| Physical description: | 25.2 linear ft. (54 boxes: 51 document boxes, 2 oversize
flat boxes 1 record carton)
|
| Language(s): |
Material is in English and in French
|
| Access: |
This collection is located on-site.
This collection has no restrictions. Much of the correspondence in boxes 35-38, however,
is extremely fragile and therefore access to this material will be determined on a
case-by-case basis.
More information » |
Arrangement
Arrangement
This collection is arranged in five series
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Description
Scope and Content
The Samuel Roth Papers contain annotated books, manuscripts, court documents, business
records, copyright statements, unpublished typescripts (by Roth and others), publishing
advertisements and materials, as well as correspondence. Among Roth's own works are his
poetry, plays, and fiction, including
The
Transfiguration,
an epic Roth thought would bring him fame and success as a
writer. Both his unpublished autobiography,
Count Me Among the
Missing,
and his daughter's unfinished memoir of her father,
In a Plain Brown Wrapper
(as well as her extensive research
materials), are also included in the collection.
For certain works, Samuel Roth employed pseudonyms such as David Zorn, and his most
frequently used nom de guerre, Norman Lockridge. Interestingly, he often used the latter
name to clandestinely correspond with people, such as T.S. Eliot and Ernest Hemingway,
who had signed Joyce's International Protest against him.
Blending both the personal and the professional, the Correspondence series houses Roth's
numerous prison letters sent from Lewisburg while serving his multiple sentences.
Usually addressed to his wife Pauline, Roth shares his thoughts regarding prison life,
his numerous literary undertakings, and advises Pauline regarding business matters. Many
of Roth's early professional correspondents (1915-1925) are major names of twentieth
century modernist literature and poetics, that include: Floyd Dell; (1917): William
Stanley Braithwaite, John Gould Fletcher, James Oppenheim, Edgar Lee Masters, George
Edward Woodberry, Sara Teasdale Filsinger, Lizette Woodsworth Reese and William Roe
Benet; (1918-1919): Jessie Rittenhouse, Shaemus O'Sheel, Louise Bryant, H.D.;
(1920-1921): Arthur Symons, Israel Zangwill, T.S. Eliot, Clement Wood, Carl Van Doren,
George Bernard Shaw, Aldous Huxley, Edward Gosse, J.C. Squire, Ezra Pound, Leonard
Woolf; (1922-25): Sylvia Beach, Avrahm Yarmolinsky, John Herrmann, Ezra Pound, Bryher
(Annie Winifred Ellerman), James Branch Cabell, Ford Madox Ford, Harriet Shaw Weaver,
Dorothy M. Richardson, Arthur Stanley Eddington, Upton Simclair, Leslie Gordon Philips,
Gershon Legman.
The calendar series, part of Roth's editorial efforts, shows how much Roth was, in many
ways, ahead of his time in regards to the publishing business and its many sales
gimmicks. Similarly, the Publishing series as a whole represents a great testament to
Roth's advertising acumen, offering a fascinating behind-the-scenes glimpse of the
self-publishing business in the years following World War II.
Roth's legal troubles encompassed many years. The prepared packets seem to have, in most
cases, been created on-the-go during the trials, while some may have been put together
at a later date.
Series I: Writings, 1907-1990s
This, the largest series in the collection, includes mostly unpublished pieces by
Samuel Roth, as well as collected works he edited; drafts of his daughter Adelaide
Roth's memoir and essays, in addition to her extensive research materials;
typescripts and holographs by various hands that either never made it to
publication or are versions of material that was once published by one of Roth's
many imprints.
I.1. Subseries: Writings by Samuel Roth, 1914-1969
Consisting mostly of typescripts, this large sub-series is brimming with Roth's
multiple unpublished works, but also contains some copies of published pieces.
Along with various short stories, plays, fictionalized histories, are multiple
drafts of Roth's last autobiography
Count Me Among the
Missing.
Also in this sub-series is an epic work entitled
The Transfiguration.
Other works include
The Hebrew Melodies of Heinrich Heine,
The Kingdom,
a long series of psalms. Some
manuscript pages have not been identified and remain untitled.
I.2. Subseries: Writings by Adelaide Roth, 1970s-1990s
Included here are chapters and drafts of
In a Plain
Brown Wrapper,
Adelaide Roth’s unpublished memoir, and
Wroth Wrackt Joyce,
her essay on Samuel Roth and
James Joyce, and other writings, working drafts, some with corrections. The
folders listed as "Drafts" represent the versions of her memoir that were found
in separate individual boxes. The "Chapters" folders were found in folders
titled by Adelaide Roth and many of the documents of these folders bear
Adelaide's annotations. Chapters found together were kept together. Efforts
have been made to name folders according to chapter titles, unless Adelaide
Roth had already given a given folder a title. In the latter case, the title
was put in quotation marks.
I.3. Subseries: Writings by Others, 1907-1986
The bulk of the material in this sub-series includes typescripts of novels or
short stories that never made it to publication in any of Roth's many imprints.
Some of documents are alternate versions of published works. Many of the longer
works were originally bound by Roth in soft binders marked “Property of Samuel
Roth.” Among the works never published are pieces by Maxwell Bodenheim, Ludwig
Marcuse, Claude McKay, Harry Roskolenko, Arthur Symons, Denys Val Baker, George
Sylvester Viereck among others. The authors of some of the materials in this
sub-series are unidentified or have used pseudonyms.
Series II: Legal Documents 1926-1969
The files in this series that Roth compiled himself were kept intact and their
original titles preserved. A large amount of legal correspondence—spanning
decades—is here, as well as official court documents.
II.1. Subseries: Notes and Prepared Legal Files, 1931-1959
This sub-series contains legal files and notes that Samuel Roth prepared and
arranged himself. The original folder titles were kept; if the folder was
untitled, then the name it now bears reflects the dates of the documents it
contains. Most of the material consists of court-issued documents, photocopies,
transcripts, and even correspondence. The bulk of the legal files are contained
within this sub-series. The order in which the material was kept within Roth's
original folders has been maintained.
II.2. Subseries: Legal correspondence, 1926-1969
Contained here is correspondence related to various court cases in which Samuel
Roth was involved. As with the other series, folders previously compiled and
labeled by Roth were kept intact, and whenever possible, the same folder title
was used. Included here is in-coming and out-going correspondence of Samuel
Roth, and his spouse, Pauline Roth, related to Roth’s various court cases.
II.3. Subseries: Court Documents, 1947-1961
Documents issued by courts and lawyers during Roth's many trials: briefs,
pamphlets, minutes, statements, are found here. The Briefs, from the Post
Office Department, the Supreme Court of the United States, the United States
Court of Appeals for the Second Circuit, and the United States District Court
Southern District of New York, cover many different specific sections of Roth's
trials and related legal matters. Included here are both bound briefs printed
by the court press (italicized titles) and typewritten drafts issued by the
defendant's lawyers or those representing the court.
Series III: Correspondence 1909-1993
The material in this series spans Samuel Roth’s lifetime and includes both
personal and professional correspondence. Adelaide Roth’s correspondence, both
personal and research-related, is also here.
III.1. Subseries: Samuel Roth, 1909-1971
This sub-series consists of Samuel Roth's correspondence, both personal and
professional and includes “prison letters” that Roth wrote while serving time.
The bulk of these letters were addressed to his wife, Pauline. Also here is a
large amount of professional and business correspondence. The folder titles
used by Roth's own filing system have been kept and are indicated by quotation
marks. Roth’s chronological arrangement of this material has been maintained.
Roth's early correspondence (1915-1925), while wide, is not deep. Here also is
found general correspondence regarding Roth's short-lived journal,
The Lyric,
and the
Poetry
Bookshop,
Two Worlds,
and other publishing-related
correspondence. When the material was originally kept in an originally-labeled
folder, the same folder title was used for the finding aid.
III.2. Subseries: Adelaide Kugel Roth, 1974-1993
Included here are Adelaide Roth’s many communications with various archives and
libraries regarding Samuel Roth. The letters often include photocopies,
clippings, and notes. Most of the material here was arranged by Adelaide Roth
herself and every effort was made to maintain her arrangement.
Series IV: Publishing 1919-1974
This series contains a plethora of ads, mail order forms, promotional prototypes,
and other ephemera including realia such as printing blocks and original artwork.
Official documentation related to Roth's publishing business such as book
contracts, receipts, and permissions to do business, along with sample stories
from Roth's
American Aphrodite: A Quarterly for the
Fancy-Free
can also be found here.
IV.1. Subseries: Promotional Materials, 1919-1960s
Arranged alphabetically by book or magazine title when promoting a specific
publication, or by slogan when promoting the press's products at large, this
sub-series consists of materials used for promoting and advertising the books
published by Roth's various imprints. The bulk of the materials are
advertisement proofs, created during the years following World War II, but also
included here are mail-order forms, negatives, photographs, and even printing
blocks. There are a few clippings of book reviews, or receipts for ad payments,
or ad drafts. Some of these proofs are oversized. As with previous series,
folders created and arranged by Roth were kept intact and their original titles
are in quotation marks. A few of the latter folders include correspondence and
discarded advertising prototypes.
IV.2. Subseries: Business Files and Materials, 1930-1974
This subseries contains mostly book contracts, with some receipts, business
certificates, financial documents, copyright registrations, and newspaper
clippings regarding books published by various Roth imprints. In rare cases,
some correspondence accompanies the book contract. In addition, photographs,
printing blocks, and documents related to Roth's publishing endeavors can be
found here. The material is arranged alphabetically.
IV.3. Subseries:
American Aphrodite,
1950s
This subseries contains stories and essays clipped from issues of
American Aphrodite: A Quarterly for the Fancy Free.
The material has been arranged alphabetically by title, with the name of the
author, when known, indicated.
Series V: Personal , 1915-1994
This small series comprises documents such as family photographs, financial
materials including bank statements and tax-related documents, wills and
testaments, funeral matters, and a framed print of Samuel Roth's village of birth
in rural Poland.
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Using the Collection
RBML
Access Restrictions
This collection is located on-site.
This collection has no restrictions. Much of the correspondence in boxes 35-38, however,
is extremely fragile and therefore access to this material will be determined on a
case-by-case basis.
Restrictions on Use
Single photocopies may be made for research purposes. Permission to publish material
from the collection must be requested from the Curator of Manuscripts/University
Archivist, Rare Book and Manuscript Library (RBML). The RBML approves permission to
publish that which it physically owns; the responsibility to secure copyright permission
rests with the patron.
Preferred Citation
Identification of specific item; Date (if known); Samuel Roth Papers; Box and Folder;
Rare Book and Manuscript Library, Columbia University Library.
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About the Finding Aid / Processing Information
Columbia University Libraries. Rare Book and
Manuscript Library; machine readable finding aid created by Columbia University
Libraries Digital Library Program Division
Processing Information
Papers processed 2009-2010 Jean-Christophe Cloutier
Finding aid written 05/--/2010 Jean-Christophe Cloutier
Machine readable finding aid generated from MARC-AMC source via XSLT conversion
September 30, 2010
Finding aid written in English.
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Subject Headings
The subject headings listed below are found in this collection. Links below allow searches at Columbia University through the Archival Collections Portal and through CLIO, the catalog for Columbia University Libraries, as well as ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.
All links open new windows.
Genre/Form
| Heading | CUL Archives: Portal | CUL Collections: CLIO | Nat'l / Int'l Archives: ArchiveGRID |
|---|
| Genre | Portal | CLIO | ArchiveGRID |
Subjects
| Heading | CUL Archives: Portal | CUL Collections: CLIO | Nat'l / Int'l Archives: ArchiveGRID |
|---|
| American Aphrodite: A Quarterly for the Fancy-Free. | Portal | CLIO | ArchiveGRID |
| Beau. | Portal | CLIO | ArchiveGRID |
| Booksellers and bookselling. | Portal | CLIO | ArchiveGRID |
| Copyright--United States. | Portal | CLIO | ArchiveGRID |
| Erotica--Periodicals. | Portal | CLIO | ArchiveGRID |
| Erotica--United States. | Portal | CLIO | ArchiveGRID |
| Geographic | Portal | CLIO | ArchiveGRID |
| Good Times. | Portal | CLIO | ArchiveGRID |
| Joyce, James, 1882-1941--Criticism and
interpretation. | Portal | CLIO | ArchiveGRID |
| Joyce, James, 1882-1941--Periodicals. | Portal | CLIO | ArchiveGRID |
| Joyce, James, 1882-1941.--Ulysses. | Portal | CLIO | ArchiveGRID |
| Juvenile delinquency--United States. | Portal | CLIO | ArchiveGRID |
| Kugel, Adelaide. | Portal | CLIO | ArchiveGRID |
| Lawrence, D.H. (David Herbert), 1885-1930.--Lady
Chatterley's lover. | Portal | CLIO | ArchiveGRID |
| Lockridge, Norman--pseudonym. | Portal | CLIO | ArchiveGRID |
| Mail-order business. | Portal | CLIO | ArchiveGRID |
| Obscenity (Law)--United States--Cases. | Portal | CLIO | ArchiveGRID |
| Obscenity (Law)--United States--Periodicals. | Portal | CLIO | ArchiveGRID |
| Obscenity (Law)--United States. | Portal | CLIO | ArchiveGRID |
| Occupation | Portal | CLIO | ArchiveGRID |
| Pornography--Law and legislation--United
States--Cases. | Portal | CLIO | ArchiveGRID |
| Pornography--United States. | Portal | CLIO | ArchiveGRID |
| Publishers and publishing. | Portal | CLIO | ArchiveGRID |
| Roth, Adelaide. | Portal | CLIO | ArchiveGRID |
| Roth, Pauline. | Portal | CLIO | ArchiveGRID |
| Roth, Samuel, 1893-1974. | Portal | CLIO | ArchiveGRID |
| Two Worlds Monthly. | Portal | CLIO | ArchiveGRID |
| Two Worlds. | Portal | CLIO | ArchiveGRID |
| Zorn, David--pseudonym. | Portal | CLIO | ArchiveGRID |
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History / Biographical Note
Biographical Note
During his career Samuel Roth (1893-1974) established
bookstores in New York City that published and sold books, magazines, and erotica, and
operated a mail order operation that defied Post Office censors for two decades. He
founded two literary magazines, namely
Beau
--the first
American "men's magazine--and
Two Worlds.
As a publisher,
Roth was frequently accused of violating the copyrights of authors such as D.H. Lawrence
and James Joyce, and was responsible for the first, unauthorized editions of
Lady Chatterley's Lover
and
Ulysses.
After Joyce published the "International Protest" against Samuel
Roth in 1927, a petition signed by over one hundred of the world's elite artists and
public figures, Roth became a pariah in the publishing world. Falling back upon his
ingenuity and keen sense of salesmanship, Roth ended up in the mail-order pornography
business, creating
Good Times
and
American Aphrodite: A Quarterly for the Fancy Free.
He published a critical
treatise on Herbert Hoover,
The Strange Career of Mr.
Hoover
Under Two Flags (1931), which sold well and thus may have helped
defeat the President in 1932 In 1951 he issued
My Sister and
I,
purportedly a memoir by Nietzsche about his incestuous relationship with
his sister.
A self-taught writer, Roth wrote poetry and essays throughout
his life. His early poetry won praise from Edwin Arlington Robinson, Maurice Samuel,
Marie Syrkin, Harriet Monroe, Israel Zangwill, and Louis Untermeyer. "Samuel Roth
publicized himself as a literary Johnny Appleseed, bringing to ordinary Americans the
modern literature of two continents, despite its sexual explicitness. He was also a
master of prurient advertising of borderline mail order sex pulps and sensational human
interest stories. He put himself in the direct line of fire that municipal, state and
federal law enforcement officials and moral entrepreneurs reserved for pariah
capitalists," said Jay Gertzman, Professor Emeritus at Mansfield University and author
of
Bookleggers and Smuthounds: The Trade in Erotica,
1920-1940.
"Researchers will find Roth's archives valuable not only for a
study of Roth but of New York publishing history and the history of censorship,"
continued Gertzman.
Roth last achieved notoriety in 1957 as the appellant in the
Supreme Court case,
Roth v. United States.
The minority
decision in the case opened the way to Constitutional protection for expression
previously censored for indecency, and became a template for the liberalizing First
Amendment decisions of the 1960s.
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